Little Voice Sara Bareilles

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Vinyl LP

  • Release Date: 04/29/2008
  • Original Release: 2007
  • Sales Rank: 11,508
  • Label: EPIC
  • UPC: 886972934518
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CD$9.59
 
  • Overview
  • Tracks
  • Editorial Reviews
  • Customer Reviews
  • Details & Credits
Track List
Click on LISTEN or link to hear an audio clip.
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Little Voice

1LISTENLove Song 4:18
2LISTENVegas 4:07
3LISTENBottle It Up 3:00
4LISTENOne Sweet Love 4:20
5LISTENCome Round Soon 3:33
6LISTENMorningside 3:58
7LISTENBetween the Lines 4:34
8LISTENLove on the Rocks 4:13
9LISTENCity 4:33
10LISTENMany the Miles 5:11
11LISTENFairytale 3:14
12LISTENGravity 3:52

About this Artist

Editorial Reviews

For her first major outing Little Voice, Sara Bareilles puts forth an intimate, emotionally charged album that sounds remarkably polished for a fledgling self-taught songwriter/performer. In fact, her voice even stands up to professionally trained pop divas like Christina Aguilera. Her only potential downfall is that she fits so perfectly in the adult contemporary female pianist mold that comparisons are inevitable -- Bareilles' vocal range is similar to Fiona Apple and she bears a striking physical resemblance to a merged composite of Vanessa Carlton and Michelle Branch. Despite the plethora of comparable looking and sounding artists, she still manages to stand out. The songs are sultry and generally upbeat, and delivered in a soulful manner with polished production and arrangement, but her X factor is in her ability to make it all sound unforced and very, very easy. Unquestionably, she's a natural with a huge voice and personality that shine through with spirited energy here. Perhaps the best and most original track is the ultra-peppy (think "Benny and the Jets") "Love on the Rocks" (not to be confused with the Neil Diamond number). With a warm wah-wah guitar and meandering Motown-esque harmonies, it makes for a perfect summertime love song. Undoubtedly her expertise is writing love songs like this, evident by song titles like "Love Song" and "One Sweet Love," but there are enough uniquely spun takes on the subject to make it interesting. In "Fairytale," children's stories are used as a metaphor for escapism and dealing with depression, and with the moody ballad "Gravity," falling in love is compared to getting caught in an inescapable gravitational pull. In the latter tearjerker of a tune, she shows off her chops with a song-stopping vocal crescendo, further proving that she has a style that's something special, even among all the stiff competition. Jason Lymangrover, All Music Guide

Customer Reviews

Bought it for one song, but enjoy all the othersby Anonymous

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April 08, 2008: This is a great CD. Perfect for a long drive or just to listen to while relaxing. While I am partial to the first 5 songs on the album, the whole thing is enjoyable. To me, her voice and style is reminiscent of Fiona Apple's first album "Tidal" but with a lighter vocal quality.

This review was written about the CD edition.

I can listen to every track....by Anonymous

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March 23, 2008: And I can't say that about many albums. Well, actually, now that I think about it, I'm not sure I can say that about any other albums. I love every single one of her songs. Some more than others, such as Between the Lines, City, Gravity, and Fairytale. But all of them are not only listenable "questionable spelling/whether it's actually a word", but extraodinary. I mean, there's no other way to word that. The melodies-- haunting-- and yet, she's actually singing. Who knew that was possible? My definite favorite singer right now.

This review was written about the CD edition.


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