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Editorial Reviews

Talking Heads' most immediately accessible album, Little Creatures eschewed the pattern of previous Heads' albums, in which instrumental tracks had been worked up from riffs and grooves, after which David Byrne improvised melodies and lyrics. The songs on Little Creatures, most of which were credited to Byrne alone (with the band credited only with arrangements) sounded like they'd been written as songs. Perhaps as one result, the band had been streamlined, with extra musicians used only for specific effects rather than playing along as an ensemble. Byrne, who was singing in his natural range for once, frequently was augmented with backup singers. The overall result: ear candy. Little Creatures was a pop album, and an accomplished one, by a band that knew what it was doing. True, Byrne's lyrics were still intriguingly quirky, but even his subject matter was becoming more mature. "I've seen sex and I think it's okay," he sang on "Creatures of Love," and suddenly the geek had become a man. Where he had once pondered the hopes of boys and girls, he was now making observations about children. And even if his impulses remained strange -- "I wanna make him stay up all night," he declared about a baby (presumably not his own) in "Stay Up Late" -- he retained his charm and inventiveness. Little Creatures was, in a sense, Talking Heads-lite. It was hard to think of this as the same band that produced "Psycho Killer." But for the group's expanding audience, who made this their second platinum album, that was okay. And their popularity was being accomplished with no diminution in their creativity. [In the fall of 2005, Talking Heads' catalog was finally remastered and reissued as DualDiscs, containing a CD on one side and a DVD with 5.1 mixes, along with bonus video material, on the other. Initially, the DualDiscs were only available as a box set, but in 2006, the albums were reissued individually as digipacks (the box set contained all white jewel cases). Little Creatures contains an early version of "Road to Nowhere" that is much tamer and simpler than the finished version, and an early version of "And She Was" that lacks the pre-chorus and sounds like a rough demo; there's also an extended mix of "Television Man" that was released as a 12" single, plus videos of "And She Was" and "Road to Nowhere" on the DVD side.] William Ruhlmann, All Music Guide

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