PMG at their most commercially appealingby Anonymous
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October 08, 2007:
Pat Metheny has been described (or maybe accused)as being the most lyrical of the fusion guitarists that arose in the '70's, and this CD represents his most appealing and melodic performance ever. Teaming with his longtime collaborator, keyboardist extraordinaire Lyle Mays, the compostitions are first-rate, emphasizing the melodic accessability that Metheny and Mays were obsessed with at this time (late '80's). If your are new to the genre, this is a perfect album to get to "know" this great fusion group's work. I dare anyone to listen to "Slip Away" for the first time and not immediately put it back on again. I saw PMG on their 1990 Letter from Home tour--an unbelievable live band with Steve Rodby killing on bass and the great Paul Wertico (no longer with the group) doing unparalleled drumming and cymbals work (his signature). "Have You Heard" was a concert highlight with Pedro nailing that last, now famous note. The studio cut on this album is nearly as exciting. What really stands out on the CD is Pat's incredible, unmatched soloing (though Mays nearly matches him) and the superior Mays/Metheny compositions, among the most commercially appealing in their catalog--and that's meant to be a compliment. Definitely a landmark jazz-fusion classic that any serious music collector has got to have.
This review was written about the CD edition.
The Very Best From PMGby Anonymous
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April 01, 2006:
This represents the "ne plus ultra" from what is arguably is the best jazz fusion group ever -- and if Pat himself dislikes the term (or the corollary "Smooth Jazz") however you want to categorize this work, the PMG recordings are nearly always several platitudes higher than anything else like it. All the technical magnificence is there in Letter From Home -- amazing guitar, piano, bass, drum and percussion solos and textures, incredibly exotic rhythms and visionary electronics -- all this even is on a lower plane. This was the era when songwriters Pat Metheney and Lyle Mays really focused on SONGS, their impact as self-contained works where, I feel, harmony most often plays the defining magical role. The combination of all the careful writing and musical imagery and emotional impact -- all this makes Letter From Home the best Jazz CD -- or any CD, rather -- in my collection. I’ve listened to these songs literally hundreds of times, and yet they still have not lost their joyous value. Letter From Home is a "must have."
This review was written about the CD Remastered edition.