Enter a zip code
CD
| 1 | |
| 2 | |
| 3 | |
| 4 | |
| 5 | |
| 6 | |
| 7 | |
| 8 | |
| 9 | |
| 10 | |
| 11 | |
| 12 | |
| 13 | |
| 14 | |
Pianist/composer Phil Coulter's Lake of Shadows is above all a memorial to a place. Lough Swilly in County Donegal, Ireland -- known locally as the Lake of Shadows -- is a site of tragic significance, both to Coulter personally and in Irish history. (He lost a brother and a sister to the waters, and a number of important events in Ireland's troubled past took place there.) True to form, the album is a collection of Celtic-inspired, new age-style pieces arranged in Coulter's signature lush and fluid manner. As in Highland Cathedral and other albums, he brings together an array of traditional Celtic instruments, modern electronics, strings, and evocative vocals -- all supporting Coulter's graceful touch at the piano. But what sets this album apart is the participation of a few of Coulter's famous friends: Liam Neeson, Roma Downey, and Sinéad O'Connor. Neeson provides a sober voice-over in his native brogue on "The Flight of the Earls," one of the historical events eulogized here. Downey narrates the traditional "Prayer for the Fisherman," assisted by the indigenous sounds of the Coolea Choir, and the melancholy "Shores of the Swilly" features O'Connor singing a poignant homage to Coulter's lost sister. Coulter has solo moments, too ("Farewell to Inishowen," "The Year of the French"); his atmospheric orchestrations shine through on several tracks ("Sunlight on the Water," "For Those in Peril on the Sea"); and frequent collaborator Aoife supplies her sweetly lyrical voice on a pair of songs ("Lake of Shadows," "The Star of the Sea"). But the final track, "Take Me Home," brings the whole cast together for an inspirational concluding anthem, a fitting end to this touching album of musical tributes. EJ Johnson, Barnes & Noble