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For their first recording in five years, Il Giardino Armonico have chosen a varied program of 18th-century music that, as the liner notes put it, conveys "strong passions." It's an appropriate theme for a group that first gained attention in the early '90s with a notoriously supercharged account of Vivaldi's The Four Seasons. Not all of their recordings since have proved so controversial, but it's good to see that the group and their leader, Giovanni Antonini, have lost none of their vim and vigor. From Gluck's "Dance of the Furies" (familiar from the opera Orfeo ed Euridice but here attributed to a 1761 ballet called Don Juan, where it accompanied the Don's descent into hell) to Boccherini's Sinfonia "La casa del diavolo" (which was inspired by Gluck's ballet), Il Giardino offer the expected mix of brisk tempos, pointed accents, and strongly contrasting dynamics. They're not afraid to turn the heat down to a simmer in Locatelli's Concerto Grosso "Il pianto d'Arianna," a fascinating eight-part psychological portrait, in a way, of the mythical Arianna (a detailed movement-by-movement interpretation is offered in the booklet). And the two works by sons of J. S. Bach -- C. P. E.'s B Minor Sinfonia and W. F.'s F Minor Harpsichord Concerto -- bake more than blister. But throughout, the performances are filled with a bracing energy, and the playing is never less than spot-on. Devilishly good fun. EJ Johnson, Barnes & Noble