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Kelis has landed. Like a hip-hop/R&B version of Björk, Alanis Morrisette and Liz Phair rolled into one, Kelis flashes female angst. “I hate you so much right now,” she screams on her breakthrough hit “Caught Out There,” before switching into a delicious lullaby croon. These ear-bending combinations fill KALEIDOSCOPE, making for an appealingly weird soul cocktail that mixes polytonal instrumentation, gorgeous funky melody and black girl plain-speak. Except for the Timbaland-like production on “Get Along With You” and “No Turning Back,” the disc scores high marks for its operatic elements and its liberal use of heavy thudding drum ‘n’ bass. Virginia’s production duo, the Neptunes (the minds behind Noreaga’s 1998 hit "Super Thug") match Kelis’ sexy singing with thumping drumbeats and her quirkiness with pizzicato and dark, elliptical arrangements. Lyrically, the Harlem-born space child’s verse on “Mafia” borrows the similar loyal girlfriend message of “Through the Fire,” Chaka Khan's burning love ode, but with a gangsta moll edge. "For you I’ll testify/ I’ll lie for you of course/ because my love is like the mafia/ For you I will fight," Kelis sings. By "Ghetto Children," Kelis turns inspirational and you’re cruising on a magic carpet ride through the emotions of a vocal powerhouse. Swirling with upbeat tones, KALEIDOSCOPE is a mothership of femme-fortified, psychedelic hip-hop soul from out of this world. Martine Bury, Barnes & Noble