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Josquin (as he is usually called) may be the most unjustly neglected composer of all time. The greatest master of the High Renaissance, Josquin can be compared with Beethoven for the revolutionary role he played. His mastery of polyphony was unrivaled, and he introduced the concept of writing music that would actually reflect the meaning of the words being sung. This seems like an obvious connection today, but at the time it was quite novel. This disc presents both sides of Josquin's work: sacred and secular. The Hilliard Ensemble performs several of the composer's most famous motets (brief sacred works), which show how expressive Josquin could be, even when writing complex counterpoint. The secular pieces are intricate as well but have a grace and sparkle that reveals their connection with the popular songs and dances of the time. The performances convey the contrast between the two styles superbly, making this the perfect introduction to Josquin's sublime art. Andrew Farach-Colton, Barnes & Noble