|
| 1 |  Solomon, oratorio, HWV 67 / George Frederick Han |
| 2 | Orchestral Suite No. 3 in / Johann Sebastian Bac |
| 3 | Orchestral Suite No. 3 in / Johann Sebastian Bac |
| 4 | Goldberg Variations, for / Johann Sebastian Bac |
| 5 | Suite for solo cello No. / Johann Sebastian Bac |
| 6 | Dido and Aeneas, opera, Z / Henry Purcell |
| 7 | Le reniement de Saint Pie / Marc-Antoine Charpen |
| 8 | Le reniement de Saint Pie / Marc-Antoine Charpen |
| 9 | Abdelazer, or, the Moor's / Henry Purcell |
| 10 | Sonata en Canon, duo for / Georg Philipp Telema |
| 11 | Fantasia, for violin No. / Georg Philipp Telema |
| 12 | Cain overo Il primo omici / Alessandro Scarlatti |
| 13 | Adoramus te, Christe, mot / Claudio Monteverdi |
| 14 | Partita for solo violin N / Johann Sebastian Bac |
| 15 | Les Baricades mistérieuse / François Couperin |
| 16 | Trio Sonata for 2 violins / Antonio Vivaldi |
| 17 | Sum in medio tempestatum, / Antonio Vivaldi |
|
Jewels of the Baroque Era |
| 1.
| Solomon, oratorio, HWV 67: The Arrival of the Queen of Sheba 3:06
|
| Composed by George Frideric Handel |
| Performed by Tafelmusik Baroque Orchestra |
| 2.
| Orchestral Suite No. 3 in D major, BWV 1068: Air sur la corde de sol 4:49
|
| Composed by Johann Sebastian Bach |
| Performed by Tafelmusik Baroque Orchestra |
| 3.
| Orchestral Suite No. 3 in D major, BWV 1068: Gavotte I & II 3:28
|
| Composed by Johann Sebastian Bach |
| Performed by Tafelmusik Baroque Orchestra |
| 4.
| Goldberg Variations, for keyboard (Clavier-Übung IV), BWV 988 (BC L9): Aria 4:06
|
| Composed by Johann Sebastian Bach |
| Performed by Luc Beausejour |
| 5.
| Suite for solo cello No. 1 in G major, BWV 1007: Prealudium 2:28
|
| Composed by Johann Sebastian Bach |
| Performed by Sergei Istomin |
| 6.
| Dido and Aeneas, opera, Z. 626: When I am laid in Earth 3:23
|
| Composed by Henry Purcell |
| Performed by Shannon Mercer and Les Masques |
| 7.
| Le reniement de Saint Pierre, histoire sacrée for 5 voices, chorus & continuo, H. 424: Historicus 0:47
|
| Composed by Marc-Antoine Charpentier |
| 8.
| Le reniement de Saint Pierre, histoire sacrée for 5 voices, chorus & continuo, H. 424: Historicus 0:59
|
| Composed by Marc-Antoine Charpentier |
| 9.
| Abdelazer, or, the Moor's Revenge, incidental music, Z. 570: Rondo 1:31
|
| Composed by Henry Purcell |
| Performed by Tafelmusik Baroque Orchestra |
| 10.
| Sonata en Canon, duo for 2 recorders (or violins or viola da gamba) No. 5 in A major, TWV 40:122 (Op. 5/5): Scherzando 2:27
|
| Composed by Georg Philipp Telemann |
| Performed by Angèle Dubeau |
| 11.
| Fantasia, for violin No. 7 in E flat major, TWV 40:20: Dolce 2:00
|
| Composed by Georg Philipp Telemann |
| Performed by Angèle Dubeau |
| 12.
| Cain overo Il primo omicidio, oratorio, for soloists, strings & continuo: Perchè mormora il ruscello 4:37
|
| Composed by Alessandro Scarlatti |
| Performed by Matthew White and Les Voix Baroques |
| 13.
| Adoramus te, Christe, motet for 6 voices & continuo, SV 289 3:34
|
| Composed by Claudio Monteverdi |
| Performed by Vancouver Cantata Singers |
| 14.
| Partita for solo violin No. 1 in B minor, BWV 1002: Double 3:09
|
| Composed by Johann Sebastian Bach |
| Performed by James Ehnes |
| 15.
| Les Baricades mistérieuses, for harpsichord (Pièces de clavecin, II, 6e ordre) 2:23
|
| Composed by François Couperin |
| Performed by Luc Beausejour |
| 16.
| Trio Sonata for 2 violins & continuo in D minor ("La follia"), Op. 1/12, RV 63 10:44
|
| Composed by Antonio Vivaldi |
| Performed by Angèle Dubeau,
Marcelle Mallette and Therese Motard |
| 17.
| Sum in medio tempestatum, solo motet for voice, strings & continuo in F major, RV 632: Aria (allegro non molto) 7:51
|
| Composed by Antonio Vivaldi |
| Performed by Karina Gauvin and Les Chambristes de Ville Marie |
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