Jácaras! - 18th Century Spanish Baroque Guitar Music of Santiago de Murcia [Includes 2008 Harmonia Mundi Catalog]

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CD

  • Release Date: 03/11/2008
  • Original Release: 1998
  • Label: HARMONIA MUNDI FR.
  • UPC: 093046621223

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  • Overview
  • Tracks
  • Editorial Reviews
  • Details & Credits
Track List
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Jácaras! - 18th Century Spanish Baroque Guitar Music of Santiago de Murcia [Includes 2008 Harmonia Mundi Catalog]

1LISTENJácaras por la E / Santiago de Murcia
2LISTENLa Jota / Santiago de Murcia
3LISTENMarizápalos / Santiago de Murcia
4LISTENGallardas / Santiago de Murcia
5LISTENTarantelas / Santiago de Murcia
6LISTENPreludio grabe (after Cor / Santiago de Murcia
7LISTENLa Cadena / Santiago de Murcia
8LISTENGiga de Corelli, for guit / Santiago de Murcia
9LISTENZarambeques / Santiago de Murcia
10LISTENPassacalles por la E, for / Santiago de Murcia
11LISTENFandango, for guitar / Santiago de Murcia
12LISTENMarionas por la B, for gu / Santiago de Murcia
13LISTENCumbées (Codex No. 4), fo / Santiago de Murcia
14LISTENPayssanos / Santiago de Murcia
15LISTENFolías Ytalianas / Santiago de Murcia
16LISTENLas Penas / Santiago de Murcia
17LISTENAllegro, for guitar / Santiago de Murcia
18LISTENGrabe (Grave), for guitar / Santiago de Murcia
19LISTENAllegro, for guitar / Santiago de Murcia
20LISTENOtros canarios / Santiago de Murcia
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Editorial Reviews

In this collection of dances and short works for Baroque guitar by Spanish composer Santiago de Murcia (1682-1732?), Paul O'Dette plays some pieces just as written and others with an accompaniment of percussion and other guitars, based on clues he finds in the music suggesting supplemental instruments, and the resulting selection is delightfully varied. Murcia was a wonderfully versatile composer, as demonstrated in these delicate, reserved laments, formally sophisticated dance forms taken from French suites, and rowdy popular dances with Amerindian and African influences. The pieces O'Dette and harpist Andrew Lawrence-King play as solos have depth of feeling coupled with chaste restraint reminiscent of the English Renaissance lute tradition. O'Dette tends to perform his more rambunctious pieces with an accompaniment of percussion, psaltery, and two guitars. He cites the popularity of groups with this kind of make-up in Spanish and Mexican society in the early eighteenth century, and notes that the written guitar part offers plenty of guidance about the kinds of accompaniment that would be appropriate. The resulting performances are certainly fun -- spirited and vibrant, nearly impossible to listen to without beginning to move along with the music. The sound is clean, intimate, and spacious. Harmonia Mundi's reissue of it this 1998 release marks the 50th anniversary of the company, and includes a copy of its extensive catalog. This charming CD should be of interest to anyone who loves Spanish music, or guitar music, or Baroque music strongly shaped by popular and folk influences. Stephen Eddins, All Music Guide

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