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After a series of albums that addressed and signified upon spoken word, hip-hop, the Afro-Caribbean lexicon, lieder, and his own programmatic originals, clarinetist Don Byron presents Ivey-Divey, his first full-out blowing record. Byron draws both repertoire and instrumental configuration from a mellow 1945 trio recording by Lester Young with Nat Cole on piano and Buddy Rich on drums, slotting into those chairs not-yet-30 pianist Jason Moran and veteran drum titan Jack DeJohnette. They open the program with equilateral triangle improvs on four songbook chestnuts from the Ur-session and conclude it with panoramic deconstructions of "Freddie Freeloader" (1959) and "In a Silent Way" (1969) by Miles Davis. In between are explorations of four Byron creations and a down-home blues from a 1941 date led by pianist Sammy Price on which Young uncorked an effervescent solo. As always, Byron layers erudite references onto the narrative arc, but here he tells his stories with a raw, spontaneous attitude that precludes any overtone of ambivalence or ironic distance, staking his claim as a deft, inspired heir to the tradition. Ted Panken, Barnes & Noble