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Lyle Lovett convenes his Large Band -- 36 members strong at this point -- for a record as wide-ranging as his '90s hallmarks. From country to jazz, gospel, blues, and back, it's all here, including the first Large Band instrumental since 1989, Lester Young's "Tickle Toe." The album, recorded completely live, captures the virtuosity of country music's most ambitious songwriter and his redoubtable outfit. Barnes & Noble
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November 02, 2007: Lyle's song writing is about the best in the business, and the musical arrangement of this album is spectacular. Listen to I will rise up, Don't cry a tear, South Texas girl and the Alley song and see if you can question Lyle's ability to write a powerful song that conveys emotion. Also buy the album that has the DVD, it has recording studio stuff in it that is excellent.
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October 11, 2007: I think Lyle Lovett has a great voice,and I usually love his CDs, but this one was a disappointment to me. I have listened to it repeatedly and have tried to like it, because I like him, but I just can't like this one.
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Lyle Lovett convenes his Large Band -- 36 members strong at this point -- for a record as wide-ranging as his '90s hallmarks. From country to jazz, gospel, blues, and back, it's all here, including the first Large Band instrumental since 1989, Lester Young's "Tickle Toe." The album, recorded completely live, captures the virtuosity of country music's most ambitious songwriter and his redoubtable outfit.
It's Not Big It's Large, the title of Lyle Lovett's eighth album of original material, harks back to the title of his third album, 1989's Lyle Lovett and His Large Band, the record that definitively signaled that Lovett was a true musical eccentric, as he strayed from the Texas country of his first two albums and wandering into loose-limbed jazz and swinging blues. In the 18 years separating His Large Band and 2007's It's Not Big, Lovett has pretty much stayed within that comfort zone, occasionally drifting a bit closer toward straight-ahead country (as on The Road to Ensenada or My Baby Don't Tolerate) or introspective territory (I Love Everybody, the covers collection Step Inside This House), but It's Not Big is the first time that he's truly emphasized both sides of personality equally since that 1989 record. Where that album had a clean division between the snazzy Large Band material and the country tunes -- a side was devoted to each -- this 2007 album mixes it up on a song-to-song basis, sometimes within the songs themselves, resulting an album that is more cohesive than Large Band, since it's performed with the easy confidence of a gifted singer/songwriter comfortable within his cult. That same mellow assurance also means that It's Not Big isn't quite as memorable as that 1989 near-masterpiece, lacking songs that pack as big a wallop as the sly big-band bluster of "Here I Am" or the ruefully sardonic "Nobody Knows Me." Here, subtly reigns, whether it's on quieter numbers like the sweetly melancholy "South Texas Girl" and "This Traveling Around" or the brighter "All Downhill" and gospel-fueled "Up in Indiana." Subtlety has always been a key part of Lovett's writing, but there are times on It's Not Big where the song is overwhelmed by the performance of the Large Band, who not only command this material, they give these songs performances larger than the tunes themselves. As flaws go, that's not a bad one to have, since it certainly makes for an enjoyable listen, yet it leaves the impression that It's Not Big It's Large is just a little bit too big for its likable but slight foundation. Stephen Thomas Erlewine
It all adds up to a Texas-size sonic feast -- and that's something we can all tolerate. (A) Holly George-Warren
Loading...Album Credits | ||
| Performance Credits | ||
| Lyle Lovett & His Large Band | Primary Artist | |
| Jerry Douglas | Dobro | |
| Sam Bush | Mandolin | |
| Guy Clark | Acoustic Guitar, Vocals | |
| Lyle Lovett | Acoustic Guitar, Rhythm Guitar, Vocals | |
| Matt Rollings | Piano | |
| Mitch Watkins | Guitar, Electric Guitar, Soloist | |
| Sweet Pea Atkinson | Harmony Vocals | |
| Sir Harry Bowens | Harmony Vocals | |
| Stuart Duncan | Fiddle, Soloist | |
| Gene Elders | Fiddle | |
| Béla Fleck | Banjo | |
| Paul Franklin | Steel Guitar | |
| James Gilmer | Percussion, Vocals | |
| Gary Grant | Trumpet | |
| John Hagen | Cello | |
| Ray Herndon | Electric Guitar | |
| Steven Herrman | Trumpet | |
| Jerry Hey | Trumpet | |
| Dan Higgins | Alto Saxophone, Tenor Saxophone | |
| Viktor Krauss | Bass | |
| Russ Kunkel | Drums | |
| Warren Luening | Trumpet, Soloist | |
| Steve Marsh | Tenor Saxophone | |
| Andy Martin | Trombone | |
| Dean Parks | Guitar, Electric Guitar, Soloist, Guitar (Electric Baritone) | |
| Joseph Powell | Harmony Vocals | |
| Francine Reed | Harmony Vocals | |
| Charles Rose | Trombone | |
| Harvey Thompson | Tenor Saxophone | |
| Arnold McCuller | Harmony Vocals | |
| Lamont VanHook | Harmony Vocals | |
| Jon Randall | Harmony Vocals | |
| William Reichenbach | Trombone, Bass Trumpet, Soloist | |
| Jason Eskridge | Harmony Vocals | |
| Steve "Dickey Boy" Jones | Vocals | |
| Billy Williams | Vocals | |
| Technical Credits | ||
| Lyle Lovett | Arranger, Producer | |
| Dan Higgins | Orchestration | |
| Viktor Krauss | Horn Arrangements | |
| Nathaniel Kunkel | Engineer | |
| Steve Marsh | Horn Arrangements | |
| John Richards | Live Sound | |
| Charles Rose | Horn Arrangements | |
| Doug Sax | Mastering | |
| Tim Stedman | Art Direction | |
| Billy Williams | Producer | |
| Sangwook "Sunny" Nam | Mastering | |
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