In the Spur of the Moment Steve Turre

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CD

  • Release Date: 06/27/2000
  • Sales Rank: 112,708
  • Label: TELARC
  • UPC: 089408348426
 
  • Overview
  • Tracks
  • Editorial Reviews
  • Details & Credits
Track List
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In the Spur of the Moment

1LISTENRay's Collard Greens 6:38
2LISTENMisty 5:23
3LISTENDuke Rays 5:21
4LISTENThe Way You Look Tonight 7:04
5LISTENEllington Medley: Do Nothing Till You Hear from Me/Five O'Clock Drag 8:01
6LISTENSomething for John 5:35
7LISTENIn the Spur of the Moment 9:18
8LISTENSuenos de la Habana 5:45
9LISTENClaudia 9:25
10LISTENDescarga Ahora 6:28

About this Artist

Editorial Reviews

Although Steve Turre's widely regarded as one of the most accomplished trombonists of his generation, his extensive '90s output for Verve focused less on his trombonicity than on the sui generis sound of his conch-shell ensemble and uniquely textured sextet with strings. With IN THE SPUR OF THE MOMENT, his Telarc debut, Turre puts the focus squarely on the trombone and plays with an authority and authenticity that reminds you why he's achieved such accolades. He organizes the proceedings into three sections ("The Blues in Jazz," "Modern and Modal," and "Afro-Cuban Sounds"), each evoking a major component of his musical experience. On the four tracks comprising "The Blues," Ray Charles, an early Turre employer, holds the piano chair, making his first "sideman" appearance on a hard-core jazz date in about 40 years. The maestro embodies the blues sensibility; distilling the essence of Nat Cole and Erroll Garner into a style wholly his own, he swings with ebullient brio, conjuring solos that could each sustain a beautiful lyric, while his immaculate, percussive comp prods Turre to lyric heights on Garner's "Misty" and soulful, voice-like turns on "Duke's Room" (an original "C-Jam Blues" variant) and "The Way You Look Tonight." Turre enlists young piano whiz Stephen Scott and veteran masters Buster Williams on bass and Jack DeJohnette on drums for the "Modern and Modal" section, which begins with an Ellington medley ("Do Nothing Til You Hear From Me" and "Five O'Clock Drag,") and moves to an energetic "Something for John" (based on the chords of Coltrane's "Moment's Notice") and Scott's open-ended title track. For "Afro-Cuban Sounds" (Turre's extensive Latin c.v. includes stints with Manny Oquendo's Conjunto Libre, Tito Puente, and Poncho Sanchez) the trombonist brings in three virtuosos -- Chucho Valdez on piano, Horacio "El Negro" Hernandez on trapset and hand drums, both from Cuba, and bassist Andy Gonzalez from the Bronx -- who play at the peak of their form. Framed by a cast of stars in the supporting roles, Turre is a commanding leading man; their brilliance lifts him, makes him stronger. Addressing a program that could easily have been a hodgepodge of disparate sounds, he unifies everything by the force of his personality, which he conveys with unflagging wit, invention, and charisma. Ted Panken, Barnes & Noble



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