Illinois Sufjan Stevens

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Vinyl LP

  • Release Date: 11/22/2005
  • Sales Rank: 43,689
  • Label: ASTHMATIC KITTY
  • UPC: 656605892610
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CD$12.19
 
  • Overview
  • Tracks
  • Editorial Reviews
  • Customer Reviews
  • Details & Credits

About this Artist

Editorial Reviews

With two states down and only 48 to go, Sufjan Stevens' ambitious musical map of the Unites States of America should be completed -- if he puts out one a year -- sometime around 2053. It's a daunting task (and not an entirely original one at that), but if each subsequent record is as good as Illinois, fans who live long enough to witness the project's completion will no doubt find themselves to be scholars of both state history and its narrator's shape-shifting soul. Stevens' soulful folk epics, as played by his signature mini-orchestra, have changed little since his 2003 foray into Michigan -- a charge that may cause some grumbling among that album's detractors -- but there's a newfound optimism that runs through much of Illinois that echoes the state's "Gateway to the West" pioneering spirit. Glorious road trip-ready cuts like "The Man of Metropolis Steals Our Hearts," "Come On! Feel the Illinoise!," and "Chicago" have an expansiveness that radiates with the ballast of history and the promise of new beginnings. Stevens has done his research, with references to everyone from Abe Lincoln, Frank Lloyd Wright, and the ghost of Carl Sandburg to John Wayne Gacy -- the latter provides one the song cycle's most affecting moments. The lush (yet still distinctly lo-fi) indie pop melodies draw as much from classic rock as they do progressive folk. "Jacksonville," with its four-chord banjo lurch, mines "Old Man"-era Neil Young, disco strings dance around "They Are Night Zombies!! They Are Neighbors!! They Have Come Back from the Dead!! Ahhhh!," while the rousing pre-finale "The Tallest Man, the Broadest Shoulders" is pure Peanuts-infused Vince Guaraldi as filtered through the ambiguous kaleidoscope of Danielson Famile spiritualism. There's a distinct community theater vibe to the whole affair that may or may not be the result of numerous photo shoots in which the players are dressed in adult-style Boy Scout uniforms -- it brings to mind the Blaine Players from Christopher Guest's small-town theater parody Waiting for Guffman -- but the majority of Illinois is alarmingly earnest. Stevens may be a snake-oil salesman, but he's got pretty good stuff, and like many of history's most untrustworthy wordsmiths, he somehow manages to switch the opportunist off and turn on the human being each time the listener gets suspicious of his intentions. Reverend Lee Power, All Music Guide



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Customer Reviews

Excellentby Anonymous

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January 18, 2007: I actually learned a lot while listening to this album! But aside from all educational value, this is a really inspiring cd. I love all his metaphors comparing different things to life. This is very original.

This review was written about the CD edition.

What A Journeyby Anonymous

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July 27, 2005: There really can't be any words to describe this album better than to say that it's a journey. Every song seems to fit perfectly with the mood of the album at the time, nothing seems out of place or forced. No other album in recent memory has really felt as good to listen to other than Kid A by Radiohead. Each song sounds like it's Sufjan 's but never gets tired or repetitive and is a real treat to listen to every time. True the album at 1st may not seem as amazing as some people have made it out to be (myself included). But after hearing it for three times you will agree that Illinois is really a marvelous record.

This review was written about the CD edition.


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