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After his many recordings of "big" piano works -- Rachmaninoff concertos, Schubert sonatas, and so forth -- Leif Ove Andsnes explores the more intimate poetry of small pieces on this extremely pleasurable recital. With 22 selections by nearly as many composers, Andsnes runs the gamut from the lyrical outpourings of Richard Strauss's "Ständchen" (transcribed by the great pianist Walter Gieseking) and Liszt's "Liebastraum" to the delicate Iberian perfumes of Federico Mompou and Isaac Albéniz. Some of these encores are quite literally child's play, as Andsnes' liner note recalls learning works like Ibert's "Le Petit Ane blanc" and the program-opening Sibelius étude at a very early age. Others are obviously more technically challenging, but Andsnes mostly avoids the kind of encore that simply puts virtuosic display in the foreground, preferring vignettes marked by piquant Impressionism and Romantic melody. None of these pieces lasts more than five minutes, but each one is etched with a distinctive personality, and each -- the brittle wit of Shostakovich's Golden Age polka aside -- is a thing of fleetingly perfect beauty. As such, it's hard to isolate highlights, though Andsnes' great affection for his countryman Edvard Grieg is perfectly evident in that composer's "Humoresque" and "Folketone," and a special charm is to be fond in novelties like Cyril Scott's exotically delicate "Lotus-Land" and the Charles Trenet song "Coin de rue" (the latter in a piano arrangement attributed mysteriously to Mr. Nobody). Andsnes' sensitivity in devising this very personal program says a great deal about his artistry, as does his skill in conveying each miniature's delights, not to mention the translucent clarity of his keyboard technique. With such a rich plate of encores on offer, you'll never even miss the main course. Scott Paulin, Barnes & Noble