Barnes & Noble
Contemporary praise trio Selah (siblings Todd Smith and Nicol Sponberg, joined by longtime pal Alan Hall) have carved out a unique niche by using their gorgeous vocal blend to breathe new life into traditional hymns. Each vocalist offers something unique: for Sponberg it's a smoky blues, while Hall has a crystalline tenor and Smith is a powerhouse balladeer. Singing together, the three bring an emotional connection to their music that few soloists can claim. Hiding Places offers many such great moments ("I Bless Your Name" and the Congolese hymn "Esengo" are standouts), but Selah still shine mightiest when they perform traditional material. Here, it's a funk-rock take on "There Is Power in the Blood" (and Hall's solo bonus track, "Down to the River to Pray") that resonates with listeners, more than the too-slick inspirational pop of "You Raise Me Up" and "All My Praise." One hopes Selah will continue to forge their own way and not follow the Christian music pack down the road of repetitive worship tunes. Lisa Zhito
All Music Guide
On its fourth recording, Selah don't step far from their unusual yet successful formula of marrying traditional hymns to contemporary pop and blue-eyed R&B arrangements, African folk songs, Irish melodies, and modern-day praise & worship songs. Siblings Todd Smith and Nicol Sponberg were born to missionaries and raised in central Africa, while Allan Hall was reared in Nashville. The trio met at Belmont College and recorded their first album, Be Still My Soul, for $2000. The rest is history: They've earned four Dove Awards and played Carnegie Hall, as well as holding the dubious distinction of playing on political evangelist Pat Robertson's 700 Club program. Hiding Place's best moments are in its traditional songs, such as "Essengo," a Congolese folk song sung in Kituba, while the old nugget "By and By" is arranged as a chanted African singalong, making it fresh and interesting. However, the trio's attempt at a funky rock arrangement -- which may be edgy for conservative churchgoers -- is almost laughably bad as pop music. The arrangement of "Through It All" is respectable, but largely because Sponberg finally cuts loose a little, thanks to being prodded by a host of real gospel singers in the background. Also, it is interesting to note that Selah's "Irish" tune, "You Raise Me Up," is actually about as new age a Celtic melody and arrangement as is possible to put on tape. As a marketing gimmick, each member gets a solo track tagged on as a bonus at the end of the set to promote upcoming solo projects (all to be released simultaneously). Ultimately, it comes down to whether you dig this group on a basic level or not. If you do, this will be another delight. If you find Selah's music rather bland, Hiding Place will do nothing to change your view. Thom Jurek