Barnes & Noble
Although they've been constant fixtures in the British tabloids over the last few years, Oasis haven't offered much music to write home about for quite a spell. That state of affairs changes, however, with the release of Heathen Chemistry, their fifth studio album. The disc sees a number of changes in Oasis' modus operandi, the most prominent of which is Noel Gallagher's taking on an increased share of the band's vocal chores. He rips through the churning, glammy "Force of Nature" with a surprising fury and swoons gently through the largely acoustic "She Is Love." Brother Liam, meanwhile, took some time to sharpen his own writing skills, which he displays on a three-pack of Heathen Chemistry's better cuts, including the Lennon-esque "Songbird" and the brooding, minor-chord rocker "Born on a Different Cloud." A dark bottom layer underscores several of the album's songs, both the full-throttle rockers, such as the feedback-laced "The Hindu Times," and the airier, more expansive numbers, including the trippy "All in the Mind." Heathen Chemistry marks a bracing return to form by a band that seemed to have passed their creative peak. David Sprague
All Music Guide
The official party line goes a little like this: sure, Be Here Now was bloated, but the boys were indulging in their phenomenal success at the time and, yeah, Standing on the Shoulder of Giants was a little uneven, but that was essentially due to overcompensation on the corrective steering, plus the defection of two founding members, so 2002's Heathen Chemistry -- the band's fifth album -- is where Oasis returns to form and starts acting like a band again (hell, not only does Liam contribute three songs, but so does bassist Gem Archer, while Andy Bell throws in a minute-long instrumental). If only it were that simple. First of all, this, like Giants, is produced by Oasis and mixed by Mark "Spike" Stent, so it should come as no surprise that it sounds like that album, only without the slight electronica flourishes, since the band is determined to make this their rock & roll comeback. But that Stent-mixed, Noel-helmed production is big and diffuse, sounding enormous and vaguely psychedelic. When it's matched with the right song -- such as the swirling, majestically nonsensical opener "The Hindu Times" -- it can be an addictive sound, but often it's mismatched with the songs; the sound expands the songs too much and they lose focus and dynamic, whether it's the muted "Digsy's Dinner" stomp of "Force of Nature" (a solo Noel tune unearthed from a 2000 soundtrack for a British-only Jude Law film), epic ballads ("Little by Little"), stabs at sweeping psychedelia ("Born on a Different Cloud"), or rockers (including the Stone Roses-meets-the Stones closer "Better Man"). These are songs that desperately need some kind of definition from their production, since they're Noel-by-numbers (even when they're tunes written by Liam): pleasant, moderately tuneful, but not too hooky, or memorable (especially in this setting), and their deficiencies are brought into relief by the times that he really connects -- the guitar-heavy drone of "(Probably) All in the Mind," a pretty good power ballad in "Stop Crying Your Heart Out," the delightfully unassuming "She Is Love" (sounding as refreshing here as "Rocking Chair" and "Talk Tonight" used to sound as B-sides), and "The Hindu Times," holding up the trend of the last three albums of having Oasis leading with their best song as the first single -- plus Liam's "Songbird," a wonderful, sweet country-rock tune that's easily the second best here. Stephen Thomas Erlewine
Blender
Sounds like a band back on track. [8]
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