About this Artist

• Biography

Editorial Reviews

George Frideric Handel once told the composer Gluck, "What the English like is something they can beat time to, something that hits them straight in the eardrum." Handel's talent for writing big, theatrical music and his astute consideration of his audiences' tastes made him immensely popular with English musical society, and many of his greatest achievements were penned during his long and prosperous career in London. With the 12 Concerti Grossi, Op. 6 (1739) -- completed in just four weeks -- it is easy to hear why the English treasured Handel so much: From the stately opening movements to the elegant dances to some wonderfully hummable fugues, there is appealing variety and freshness throughout. Recordings of this work include lush versions on modern instruments as well as the most light and transparent performances on instruments from Handel's day. Andrew Manze's period-instrument account with Academy of Ancient Music finds a perfect balance between these two extremes. There is an appealing warmth and richness, yet everything about Manze's interpretation is historically alert: from the tasteful ornamentation to the perky tempos in the faster movements. Brian Wise, Barnes & Noble

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