About this Artist

• Biography

Editorial Reviews

The first album that Gene Clark released after his departure from the Byrds followed very closely on the model of his earlier efforts on the Byrds' first two albums. His backing musicians included ex-bandmates Chris Hillman and Michael Clarke, as well as future Byrd Clarence White and Clark collaborator Doug Dillard, not to mention the Gosdin Brothers, whose harmonies resembled a rockier Everly Brothers and brought the sound very close to that of the Byrds. The album contains a number of fine pop-oriented tunes and stellar folk-rock/country-rock numbers (a year before the Byrds' Sweetheart of the Rodeo, which employed both White and Dillard) and established Clark as a major songwriter, rivaling his old band and often coming close to the fabness of the Beatles. Still, despite such solid songs and backing musicians, Gene Clark with the Gosdin Brothers failed to make much of an impact, perhaps due to its being released in the same week as the Byrds' Younger Than Yesterday, itself a tour de force that cemented their influence. However, in the realm of Clark's recorded output, this album stands as the one of the best, if not the best, example of how powerful a singer, writer, and bandleader he was. [Columbia issued a reconfigured version of the album as Echoes, adding two more Clark solo tracks and six early Clark songs recorded with the Byrds, a move that, while it offered more bang for the buck, tended to diffuse the tone and feel of Clark's original album. Sundazed, in conjunction with Columbia, got things back on track when it reissued Gene Clark with the Gosdin Brothers with original cover art and title intact in 2007, adding in several bonus tracks that included acoustic demos, alternate versions, and mono mixes of some of the album cuts plus two additional songs, "The French Girl" and "Only Colombe," that feature baroque orchestral arrangements done by Carl Boettcher.] Alex Stimmel, All Music Guide

Customer Reviews

• Listener Rating: