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"My stuff is a combination of funk and melody," pianist-composer David Benoit told Keyboard magazine not long ago. "It's the combination of the two that seems to work." One would think so; the piano veteran's is a perennial chart-scaler, whose latest, the upbeat, driving Fuzzy Logic, is his 22nd recording as a leader in 24 years. A formidable technician with a powerful touch, Benoit is comfortable with navigating gnarly time signatures and complex harmonies, but he never allows his chops to interfere with the imperative of tapping the toes and singing the song. Want to rock? Try the reggae-calypso hybrid "Tango in Barbados," the soulful Les McCann-styled "Coming Up for Air," or the hip-hop meets Joe Sample meets Africa sound of "Then the Morning Comes." On the latter, Benoit deploys his trusty Hammond B-3 organ in dialogue with the piano, a device he uses on the hyper-funky "War of the SUV's" and frames with Tower of Power horn section lines on the title track. On the gentler side, see "Reflections" and "One Dream at a Time," which are subtle, delicate, memorable songs for piano with woodwinds and french horn. Like comfort food, it all feels good. Ted Panken, Barnes & Noble