Barnes & Noble
From the cradle to the grave, Eric Clapton considers himself a bluesman, no matter how far afield he ventures into the pop realm. And on this heartfelt project, the great British guitarist reinterprets some of his favorite blues songs from some of the most significant artists of the genre. Tipping his hat to Muddy Waters, Howlin' Wolf, Lowell Fulson, Freddie King, Elmore James, and others, Clapton takes on such classics as “I’m Tore Down,” “Reconsider Baby,” “It Hurts Me Too,” and “Standin’ Round Cryin'.” The sincerity of his love for this material manifests itself in the intense guitar solos that highlight the album. This one came from the heart, and it shows. Steve Futterman
All Music Guide
For years, fans craved an all-blues album from Eric Clapton; he waited until 1994 to deliver From the Cradle. The album manages to re-create the ambience of postwar electric blues, right down to the bottomless thump of the rhythm section. If it wasn't for Clapton's labored vocals, everything would be perfect. As long as he plays his guitar, he can't fail -- his solos are white-hot and evocative, original and captivating. When he sings, Clapton loses that sense of originality, choosing to mimic the vocals of the original recordings. At times, his overemotive singing is painful; he doesn't have the strength to pull off Howlin' Wolf's growl or the confidence to replicate Muddy Waters' assured phrasing. Yet, whenever he plays, it's easier to forget his vocal shortcomings. Even with its faults, From the Cradle is one of Clapton's finest moments. Stephen Thomas Erlewine