Fragments of a Dream Inti-Illimani

BUY THIS ITEM

  • $7.99 Online price
    $7.19 Member price
  • skip to cart
  • Add To List uiAction=GetAllLists&page=List&pageType=list&ean=074644457421&productCode=MU&maxCount=100&threshold=3

GET FREE SHIPPING ON ORDERS OF $25 OR MORE

DELIVERY & GIFT DETAILS:

Usually ships within 24 hours

Delivery Time and Shipping Rates

Eligible for gift wrap & gift message.

Enter a zip code

CD

  • Release Date: 10/25/1990
  • Original Release: 1987
  • Sales Rank: 32,790
  • Label: SONY
  • UPC: 074644457421
 
  • Overview
  • Tracks
  • Editorial Reviews
  • Details & Credits
Track List
Click on LISTEN or link to hear an audio clip.
To listen to samples you'll need a Windows Media Player

Fragments of a Dream

1LISTENDanza Di Cala Luna 4:28
2LISTENEl Corazón a Contraluz 6:31
3LISTENCristalino / John Williams [guitar] 5:14
4LISTENLa Preguntona 3:45
5LISTENEl Carnaval 6:51
6LISTENFragmentos de Un Seuño 3:51
7LISTENLa Ciudad 4:17
8LISTENEl Mercado Testaccio (The Testaccio Market) 4:17
9LISTENLa Calahorra / Paco Peña 4:45
10LISTENEn Libertad (Sevillanas) 3:44
11LISTENDanza 6:20

About this Artist

Editorial Reviews

Fragments of a Dream is a collaboration between the Andean cultural troupe Inti-Illimani, classical guitarist John Williams, and flamenco guitarist Paco Peña, spawned from a number of ad-lib performances between the various musicians in London. Those performances were essentially Inti-Illimani performing as usual, with guest solos by the guitarists. This album, however, was written specifically with the collaboration in mind. As such, there is a distinct weaving of styles. The flutes and small strings of Inti-Illimani are often backed rhythmically by some careful guitar plucking. Conversely, there are passages of classical guitar with punctuation provided by the Andean instruments. It's a decently soft affair either way, not necessarily making heavy use of the Andean motives, but incorporating the Andean style into the larger set of a hybridized music. The horns sometimes act as punctuation to short runs of Andean-based sound, and sometimes play in a largely classical context. The charangos and violins do much the same. The core instruments from both stylistic sides only make the crossing from time to time, usually playing in a normal manner and letting the context affect the manner in which they're heard. As such, it makes a nice twist on the usual classical guitar repertoire, but probably isn't really the right choice for those looking for a piece of world fusion. Interesting, but largely bland. Adam Greenberg, All Music Guide

Customer Reviews

  • Listener Rating:
Be the first to write a review!