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Even during his early days with Jawbreaker, Jets to Brazil frontman Blake Schwarzenbach was a kind of punk-rock Bob Dylan, penning smart, poetic lyrics about the frailty of love. Thank goodness he never lost his keen way with words or his bleeding heart as he outgrew the agitated emo-core his former band plied; both are the meat and marrow on Four Cornered Night. Jets to Brazil's somewhat schizophrenic debut, Orange Rhyming Dictionary, documented a group of artists in transition -- four former punks trying to make a pop-rock album -- but with Four Cornered Night, the band have found their bearings and let go of some of their lingering emo-core tendencies. They've also figured out that Schwarzenbach is their ace in the hole and place his raspy vocals right up front, where they belong. The technique works best on ballads such as "In the Summer's When You Really Know," "Empty Picture Frame," and "All Things Good and Nice," where his lilting melodies and lyrics such as "I'll know you're gone for good/ when the dawn kicks me awake" are literally all you need to hear. Even so, the album is instrumentally strong, particularly the wanky little guitar flourishes offered by Brian Maryansky and Schwarzenbach's new wave-styled keyboard parts. All of which makes Four Cornered Night perfect for punk rockers who -- just like the guys in Jets to Brazil -- have learned that "pop" isn't a four-lettered word. Jenny Eliscu, Barnes & Noble