FilmMusik Nathan Larson

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CD

  • Release Date: 04/12/2005
  • Original Release: 2004
  • Label: COMMOTION
  • UPC: 186961000621

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Track List
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FilmMusik

1LISTENProzac from Prozac Nation 3:05
2LISTENBoys from Boys Don't Cry 1:11
3LISTENOperator from Phone Booth 1:40
4LISTENTigerland from Tigerland 4:30
5LISTENYou Can Take What's Left of Me from Prozac Nation 2:59
6LISTENNight Basketball from Lilja 4-Ever 0:42
7LISTENFiction from Storytelling 2:05
8LISTENA Softer Night from Boys Don't Cry 1:09
9LISTENI Want Someone Badly Bonus Track 3:02
10LISTENThe Fawn from Prozac Nation 1:23
11LISTENSmall Town Jail from Boys Don't Cry 0:57
12LISTENMommy, Are Angels Dead? from Lilja 4-Ever 1:04
13LISTENShe Might Be Waking Up from High Art 2:46
14LISTENLe Pont de la Tristesse from The Chateau 1:03
15LISTENMom's Mercedes From "High Art" 3:15
16LISTENBalcony from Prozac Nation 0:37
17LISTENDirty Pretty Thing from Dirty Pretty Things 1:42
18LISTENDeparture Lounge from Dirty Pretty Things 2:28
19LISTENLast Lines from High Art 2:26
20LISTENWalter from The Woodsman 2:23
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About this Artist

Editorial Reviews

Nathan Larson's FilmMusik is a retrospective containing recordings Larson made for such films as Boys Don't Cry, The Woodsman, Dirty Pretty Things, and Storytelling, most of them previously unreleased on disc. A rock musician, Larson tends to construct guitar-based pieces reminiscent of Robert Fripp and Brian Eno's ambient soundscapes for his movie work. But he occasionally comes up with tracks that sound like rock songs without lyrics, and on three selections he goes all the way and writes tunes with lyrics he sings himself. "You Can Take What's Left of Me" is such a song from the Prozac Nation soundtrack. Larson also provides his own vocal performance of "I Want Someone Badly," a song from First Love, Last Rites sung on that soundtrack by Jeff Buckley. And his performance of "She Might Be Waking Up" previously appeared on the soundtrack of High Art. Larson doesn't sound like he yet has the musical chops to attempt a big orchestral film score for a major studio production. But his home-recorded material gives the right tone to many personal, independent films with contemporary settings (films that often don't have accompanying soundtrack albums), and this collection demonstrates the appeal of such material. William Ruhlmann, All Music Guide

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