Fijación Oral, Vol. 1

1	En Tus Pupilas 4:24
2	La Pared 3:20
3	La Tortura 3:35
4	Obtener un Sí 3:21
5	Dia Especial / Gustavo Cerati 4:25
6	Escondite Inglés 3:10
7	No / Gustavo Cerati 4:47
8	Las de la Intuición 3:42
9	Dia de Enero 2:55
10	Lo Imprescindible 3:58
11	La Pared Versión Acústica 2:41
12	La Tortura Shaketon Remix 3:12

Barnes & Noble

Colombian star Shakira generally gets her own way, and when the singer-songwriter proposed, counter to all industry practices, to follow up a hit English-language debut with a Spanish-language record three years later, it caused some head-scratching. But a hit video (the first Spanish-language song to chart on MTV's TRL) is just the first suggestion that Shakira knows best. Laundry Service was admirable if occasionally clumsy, but Fijación Oral, Vol. 1 shows her at her confident best. The fast-rising single, "La Tortura," features Spanish heartthrob Alejandro Sanz and a mix of club beats and Colombian accordion and percussion, indicative of the wide range of styles on the album, if not its overall sound. With executive production from Rick Rubin and, on two songs, co-production from Soda Stereo's Gustavo Cerati, Fijación Oral (Aural?) is experimental but focused, alternating strummy ballads with more rhythmic material. "Tortura" is certainly a standout, but the best track is "Día Especial." With Cerati's input, it sports an airy majesty typical of his Argentine supergroup, or early U2. "Escondite Ingles" is the album's sole rocker, a high-energy mix of surf rock and new wave that recalls songs from Laundry Service. There's nothing as exuberant as that album's "Wherever, Whenever" -- maybe that's waiting on Volume 2. But the singular vision of Shakira Mubarak, as singer, songwriter, and performer, hasn't come across this strongly in a while, and it needs no translation. Mark Schwartz

All Music Guide

Laundry Service gave Shakira her long-anticipated English-language breakthrough, turning her into a global superstar in the process. A hit of that magnitude is hard to follow, so it shouldn't be a great surprise that she toiled on its sequel for upward of four years. What is surprising is that the subsequent album was split in two -- à la Kill Bill -- with the first being devoted to Spanish tunes and the second consisting entirely of English songs; the teasing titles Fijacion Oral, Vol. 1 and Oral Fixation, Vol. 2 indicate which is which and which hit the market first. It's kind of a sharp move to release Fijacion Oral first, since it not only satisfies her longtime fans who have been waiting a long time for a collection of brand-new Spanish material (she hasn't delivered one since 1998's Dónde Están los Ladrones?), it also subtly signals that she won't be placing American success above anything else. Similarly, Fijacion Oral smartly straddles the line between traditional Latin pop and the sexy, splashy dance-pop and bombastic adult contemporary pop that made Laundry Service a big hit in the U.S.: its heart is in the former, but the production -- the omnipresent Rick Rubin serves as the executive producer -- is slick and bright, enough to make the first single, "La Tortura," sound like a natural for American radio (even if it will never be played because it's sung in Spanish). Despite the surface sheen, Fijacion Oral is proudly a Latin pop record, and it conforms to the conventions of its genre, alternating between melodramatic ballads and insistent dance tunes, sometimes working a sleek bossa nova number into the equation for good measure (the terrific "Obtener un Sí," which sounds like it could have been a big hit in the late '60s). Even if it doesn't break convention, it nevertheless does its job extremely well, with an ample amount of style and flair, as well as more songcraft than Shakira is usually given credit for. She's written each song here, sometimes in collaboration with either Luis F. Ochoa or Lester Mendez, and these ten originals (the 12-track album includes two alternate versions) have a combination of commercial savvy and smart writing, making this album a small triumph, proof that Shakira can not only return to her roots, but expand upon them. Since this is a Latin pop record through and through, it will not cross over the way that Laundry Service did, but that's by design: Fijacion Oral, Vol. 1 will conquer half of the world, and the other half will follow with Oral Fixation, Vol. 2 in six months' time. Given the strength of this album, it's hard to wait for the second part to arrive. Stephen Thomas Erlewine

Rolling Stone

1/2 A world away from the Ricky Martinizing of Latin pop. Barry Walters