Figure 8 [Japan Bonus Tracks] Elliott Smith

BUY THIS ITEM

  • Add To List uiAction=GetAllLists&page=List&pageType=list&ean=4988067043887&productCode=MU&maxCount=100&threshold=3

CD - Bonus Tracks

  • Release Date: 05/23/2000
  • Label: UNIVERSAL IMPORT
  • UPC: 4988067043887
More Formats 
CD$12.39
 
  • Overview
  • Tracks
  • Editorial Reviews
  • Customer Reviews
  • Details & Credits
Track List
Click on LISTEN or link to hear an audio clip.
To listen to samples you'll need a Windows Media Player

Figure 8 [Japan Bonus Tracks]

1LISTENSon of Sam 3:05
2LISTENSomebody That I Used to Know 2:09
3LISTENJunk Bond Trader 3:49
4LISTENEverything Reminds Me of Her 2:37
5LISTENEverything Means Nothing to Me 2:24
6LISTENLa [Untitled Track] 3:14
7LISTENIn the Lost and Found (Honky Bach)/The Roost 4:32
8LISTENStupidity Tries 4:24
9LISTENEasy Way Out 2:44
10LISTENWouldn't Mama Be Proud? 3:26
11LISTENColor Bars 2:18
12LISTENHappiness/The Gondola Man 5:04
13LISTENPretty Mary K 2:36
14LISTENI Better Be Quiet Now 3:34
15LISTENCan't Make a Sound 4:18
16LISTENBye 2:53
17LISTENBecause Bonus Track 2:22
18LISTENFigure 8 Bonus Track 1:31

About this Artist

Editorial Reviews

Judging only by his earlier, bare-bones indie-label albums, it seemed highly unlikely that Elliott Smith would turn into the ambitious arranger and studio craftsman of his lushly textured Dreamworks debut, XO. A big part of that shift, of course, was the fact that Smith had major-label finances and equipment to work with for the first time; this allowed him to fuse his melancholy, slightly punky folk with the rich sonics of pop artists like the Beatles and Beach Boys. Smith continues in that direction for the follow-up, Figure 8, an even more sonically detailed effort laden with orchestrations and inventive production touches. With a couple of exceptions, the sound of Smith's melancholy has largely shifted from edgy to sighingly graceful, although his lyrics are as dark as ever. Even if the subject matter stays in familiar territory, though, the backing tracks are another matter -- a gorgeous, sweeping kaleidoscope of layered instruments and sonic textures. Smith fleshes his songs out with assurance and imagination, and that newfound sense of mastery is ultimately the record's real emphasis; there's seemingly a subtle new wrinkle to the sound of every track, and yet it's all easily recognizable as trademark Smith. Even if it is a very impressive statement overall, Figure 8 isn't quite the masterpiece it wants to be -- there's something about the pacing that just makes the record feel long (at over 52 minutes, it is the longest album in Smith's catalog), and it can sometimes float away from the listener's consciousness. Perhaps it's that Smith's songwriting does slip on occasion here, which means that those weaker tracks sink under the weight of arrangements they aren't equipped to support. Still, most of the songs do reveal their strengths with repeated plays, and it's worth the price of a few nondescript items to reap the rewards of the vast majority. Fans who miss the intimacy of his Kill Rock Stars records won't find much to rejoice about here, but overall, Figure 8 comes tantalizingly close to establishing Elliott Smith as the consummate pop craftsman he's bidding to become. [The Japanese release adds "Because" and "Figure 8."] Steve Huey, All Music Guide

Customer Reviews

  • Listener Rating:
  • Ratings: 1Reviews: 1

Figure 8 [Japan Bonus Tracks]by Anonymous

Reader Rating:
See Detailed Ratings

December 01, 2003: the most gorgeous, rich, profoundly heartfelt, spiritual, yet SO HUMAN, music you will hear this side of the beatles. he left us with so little, but what a precious legacy...