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This recording pairs the gentlest of requiems. Although he based his Requiem on the traditional Latin text, Gabriel Fauré did away with certain sections -- most notably the tumultuous "Dies Irae" -- and added sections that emphasized his serene vision of the Mass, such as the beatific final "In paradisium." Maurice Duruflé wrote his Requiem half a century later, evidently taking the tranquillity of Fauré's work as his model. Based on Gregorian chants, Duruflé's music has a timeless quality that anticipated the music of today's neo-Spiritualist composers such as Arvo Pärt and John Tavener. The Atlanta Symphony Chorus has a sumptuous sonority that allows even the quietest passage to make an enormous emotional impact. Telarc's digital sound is exceptionally vivid and atmospheric. Andrew Farach-Colton, Barnes & Noble