Equal Rights [Bonus Tracks]

1	Get up, Stand Up 3:34
2	Downpresser Man 6:26
3	I Am That I Am 4:26
4	Stepping Razor 5:47
5	Equal Rights 5:57
6	African 3:43
7	Jah Guide 4:29
8	Apartheid 5:22
9	Pick Myself Up Live / previously unreleased / Bonus Track 7:11
10	African Live / previously unreleased / Bonus Track 4:45

Barnes & Noble

EQUAL RIGHTS clarifies the complexities and controversies of Tosh's life and music, the forthright title cut defining the impetus for his struggles. Tosh's anthem of black identity, "African" ("I don't care where you come from, as long as you're a black man, you're an African") is quoted to this day, while his unofficial theme song, "Steppin' Razor," remains the ultimate rude-boy rant. EQUAL RIGHTS is augmented by two previously unreleased live tracks, "Pick Myself Up" and "African," recorded during Tosh's last tour of the States.

All Music Guide

Equal Rights was to be the album that propelled Peter Tosh to the top of the reggae world -- the rival to onetime fellow Wailer Bob Marley. Time has shown that this lofty aspiration was not borne out, but Equal Rights remains among the handful of best, and most influential, reggae albums ever recorded. Tosh was always the most militant of the original Wailers and this album reflects that outlook. Whether it is preaching about the unity of the African diaspora ("African"), protesting conditions in South Africa ("Apartheid"), or giving a more general call to arms ("Get Up, Stand Up"), Equal Rights is a political album. This is at times crippling, as some tracks are more effective as political statements than they are as songs. This, in fact, is a primary difference between Tosh and Marley -- Marley's political statements never overwhelmed his songs. Unfortunately, this is not always the case with Tosh. That being said, "Downpresser Man" (based on a folk standard), "Stepping Razor," and his definitive version of "Get Up, Stand Up" are as good a trio of songs as you will find on any album, reggae or not. Tosh's singing is angry and forceful and the music is intricate and distinctive. On these three tracks you can see why people thought that Tosh could become a transcendent international star. The rest of the album, however, shows why he never quite lived up to that potential. [Columbia/Legacy reissued the album in 1999 with a pair of live, previously unreleased bonus tracks.] ~ Toby Ball, All Music Guide