England, My England by Choir of King's College, Cambridge: CD Cover
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England, My England Choir of King's College, Cambridge

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CD

  • Release Date: 08/11/2009
  • 2 Disc Set
  • Label: EMI CLASSICS
  • UPC: 5099922894403

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England, My England

1. Zadok the Priest, coronation anthem No. 1 for chorus & orchestra, HWV 258 5:20
Composed by George Frideric Handel
Performed by Academy of Ancient Music and Choir of King's College, Cambridge
Conducted by Stephen Cleobury
2. Lux Aeterna, for chorus (after Nimrod from Enigma Variations, various arr.) 3:22
Composed by Edward Elgar
Performed by Choir of King's College, Cambridge
Conducted by Stephen Cleobury
3. Praise, My Soul, the King of Heaven 2:51
Composed by John Goss
Performed by Choir of King's College, Cambridge
Conducted by Stephen Cleobury
4. Spem in Alium (also set as "Sing and glorify"), motet for 40 voices, P. 299 7:38
Composed by Thomas Tallis
Performed by Choir of King's College, Cambridge
Conducted by Stephen Cleobury
5. Psalm 23 "The Lord is my shepherd" 2:13
Composed by John Goss
Performed by David Willcocks and Choir of King's College, Cambridge
Conducted by David Willcocks and Stephen Cleobury
6. Messiah, oratorio, HWV 56: Hallelujah Chorus 4:22
Composed by George Frideric Handel
Performed by Academy of St. Martin-in-the-Fields and Choir of King's College, Cambridge
Conducted by Stephen Cleobury

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Editorial Reviews

Close your eyes and think of England; it's easy to do with this generous two-disc compilation of recordings showcasing the classic English choral sound of the Choir of King's College, Cambridge. The selections range from the Renaissance to the present day, with a predominance of sacred music and pieces associated with English ceremony; the disc opens and closes with coronation pieces for George II (Handel's "Zadok the Priest") and Edward VII (Parry's "I was glad"), respectively. Noteworthy is the inclusion of pieces by John Tavener ("Song for Athene") and John Rutter (the Pie Jesu from the "Requiem"). Both these works have been associated with tragedies: the funeral of Princess Diana in the former case and the terrorist attacks of September 11, 2001, and July 7, 2005, in the latter, and it looks as though they've earned their places in the great British tradition. The best news is that this collection, unlike so many others consisting of recycled recordings, hangs together nicely. The Parry features not the Choir of King's College, but another group, the Cambridge University Musical Society Chorus. The recording dates range from the late '60s until the late 2000s decade. And there's a great variety of themes, soloists, and performing forces. Despite all this, and perhaps because the engineering of such music has traditions of its own, you never feel like you're listening to a collection of tracks thrown together; the music is intelligently sequenced and carefully remastered. Recommended for anyone who wants to luxuriate in a bit of British grandeur. James Manheim, All Music Guide

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