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Few sounds rise from such humble beginings to reach such stunning sophistication as the music of Peru's black community. From packing-crate drums, jawbone shakers, and ash-box percussion are born fluid, nimble rhythms; from half-remembered chants and Spanish verses come heartbreaking melodies. With her beautiful second album for David Byrne's Luaka Bop label, Susana Baca builds upon this tradition in surprising ways. ECO DE SOMBRAS -- "Echo of Shadows" -- was produced by Craig Street (Cassandra Wilson, Me'Shell Ndegeocello), and features performances from New York downtown jazz figures Marc Ribot, John Medeski, and others. Fans of Susana's spellbinding, seductively mournful voice and her charismatic performances will recognize the slinky "Valentín," the folkloric "Golpe e' Tierra," and the dolorous "La Macorina." And the unlikely fusion of the nearly forgotten rhythms and chants of Peru's black populace with haunting, avant-garde touches works surprisingly well: Accordions, organ, and even wah-wah guitar accent these ancient songs without overpowering them. Rather than fusty archivists, Susana and her band come across as sly, insinuating song stylists. Reminiscent of another revolutionary synthesis of ancient sources and jazz flourishes, Brazil's bossa nova, ECO DE SOMBRAS crackles with the same kind of gorgeous, urbane energy. Mark Schwartz, Barnes & Noble