Easy Come Easy Go

1	Down from Dover 4:43
2	Hold on Hold On 2:58
3	Solitude 5:25
4	The Crane Wife 3 3:57
5	Easy Come Easy Go 3:13
6	Children of Stone 8:03
7	How Many Worlds 3:39
8	In Germany Before the War 4:07
9	Ooh Baby Baby 8:17
10	The Phoenix 2:15
11	Dear God Please Help Me 4:28
12	Sing Me Back Home 5:03

All Music Guide

Songstress Marianne Faithfull last collaborated with producer Hal Willner on her iconic Strange Weather album in 1987. Though Faithfull has continued to record sporadically -- and has written and published her memoirs -- it's odd to think that she hasn't worked with Willner again until now, because then as now, the match feels effortless and natural. Like Strange Weather, Easy Come Easy Go is a covers collection, featuring Faithfull in different musical settings and interpreting the songs of everyone from Merle Haggard to Smokey Robinson to Duke Ellington to Randy Newman to the Decemberists to Morrissey with a killer guest list including Antony Hegarty, Rufus Wainwright, Teddy Thompson, Kate & Anna McGarrigle, Jarvis Cocker, Jenni Muldaur, Sean Lennon, Warren Ellis, Nick Cave, and Keith Richards. The core band on this set includes old friends like Marc Ribot and Greg Cohen as well as drummer Jim White, Rob Burger, Doug Weiselman, Steve Weisberg, Barry Reynolds, Steven Bernstein, Marty Ehrlich, and Lenny Pickett. The sense of stylistic sprawl on these 12 songs is incredible. The album opener, a cover of Dolly Parton's "Down from Dover," features the full band and guests numbering 18 strong! Faithfull's trademark deep-throated, whiskey-and-cigarettes-ravaged voice is in better shape than it's been in a decade at least. It's full and expressive, and she brings up a depth of passion for this sad tale that almost soars. The band, arranged by Weisberg, plays with beautiful space and elegant harmonics with nice work by Ribot and Burger.

Cave sings backing vocals on the Decemberists' "The Crane Wife 3," its lithe rock arrangement shaded by a beautiful British folk-style melody and gorgeous bass work by Cohen, celeste by Burger, and a three-piece string section. While Wainwright's signature backing vocals grace a jazzy arrangement of Espers' "Children of Stone," and the chart is eight minutes of pure, nocturnal lounge lizard eros, it does go on a bit too long, emptying it somewhat of its power. Ellington's "Solitude" works far better, as Faithfull's command of sparse phrases drives the tune, expressing more in the spaces between words than the words themselves -- or even her voice. Other highlights include an excellent version of Judee Sill's "The Phoenix," and a deeply emotive, almost startling cover of Morrissey's "Dear God Please Help Me." There is a fantastic--if surreal--faux-soul reading of Robinson's "Ooh Baby Baby," as a duet with AntonyThe disc closes with Richards adding both his guitar (to those of Ribot and Reynolds) and his raggedy croak of a vocal to Faithfull's on Haggard's "Sing Me Back Home." It's sad and slow, but feels more contrived than honestly emotional. While this is a long journey with a couple of missteps Ms. Faithfull shows up in excellent form throughout this offering. If you are patient, there is more than enough here to hold your attention and take you on journeys through love, lust, tragedy, and longing and bring you home again.(The British version of this CD, contains an extra CD with six extra tracks--the Morrissey and Judee SIll covers on this version came from the British one--and a bonus DVD with a documentary about the making of the album.) Thom Jurek

National Public Radio

Easy Come, Easy Go features a broad assortment of cover songs — everything from old tunes like Dolly Parton's "Down from Dover" to newer songs by The Decemberists and Neko Case. Of all of them, Faithfull says, she found Duke Ellington's "Solitude" the most difficult to interpret. It's been sung by many, but Faithfull looked to Billie Holiday's version for inspiration. But she by no means tried to emulate Lady Day. "I sing it as me. You just can't. It would be cheap," Faithfull says. "What I'm doing is expressing the song in my own emotional connections."