Dream of the Orient Concerto Köln

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CD

  • Release Date: 01/10/2003
  • Sales Rank: 120,948
  • Label: ARCHIV PROD IMPORT
  • UPC: 028947419327

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Editorial Reviews

Dream of the Orient explores the 18th-century European fascination with all things Turkish by mingling Eastern-tinged music by Mozart, Gluck, and other Enlightenment-era composers with traditional music from Turkey. While the tactic highlights the radical contrasts in style more than it reveals shared traits, it's an intriguing concept that certainly makes for lively listening. Spawned by a collaboration between the period-instrument orchestra Concerto Köln and the group Sarband, who play traditional Turkish instruments, the program typically takes the form of an improvised introduction performed by Sarband followed by a piece of alla turca music from Concerto Köln. Sarband's percussionists also join with Concerto Köln in several of the European pieces -- which is entirely fitting, as Western composers' self-styled "Turkish" music rarely ventured deeper than mimicking the clatter and clang of percussion-heavy janissary bands (Turkish military ensembles). Concerto Köln return the favor by appearing alongside Sarband in a traditional janissaries' march; Sarband also offer several stand-alone pieces; and the program concludes with the spirited Sinfonia Turchesca by Süssmayer (the composer who completed Mozart's Requiem). The allure of Turkish music is an intriguing theme in 18th-century music that lived on well into the 19th century (think of the "Turkish March" in the Finale to Beethoven's Ninth), and Dream of the Orient is an imaginative investigation of that tradition. It's not the first head-turning project from Concerto Köln, though: The orchestra teamed up with jazz pianist Uri Caine for a wholly original take on Beethoven's "Diabelli" Variations and appeared on Lost Objects, from the maverick new-music collective Bang on a Can. Here's another in that mold that, while it looks back in history, charts a vibrant cultural exchange that remains a focal point in our own time. EJ Johnson, Barnes & Noble



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