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CD - Bonus DVD
Dragon Songs, Lang Lang's survey of Chinese piano music, makes a fascinating complement to his previous solo recital, Memory. On that release, the pianist performed familiar works of European classical music that he had studied in his early years at the keyboard; here, he taps into his roots from another angle, offering music from China that's rarely, if ever, heard in the West. Our idea of what Chinese music sounds like -- or any Asian music, for that matter -- is indebted to composers like Debussy and Ravel, who borrowed widely from other cultures in pursuit of the exotic. It's striking to hear Chinese composers borrowing back, writing for Western instruments in styles that mix local folk materials with European sounds. Some of the solo pieces Lang Lang chooses to play here, such as Lü Wencheng's Autumn Moon on a Calm Lake, or Du Mingxin's Straw Hat Dance, could easily pass for French impressionism, while Zhu Jianer's toccata-like Happy Times bears a trace of Prokofiev's keyboard style. The latter connection -- between the People's Republic and the USSR -- makes political sense too: Composers under both regimes were required to produce optimistic music for the masses, a dictate that also spawned the Yellow River Piano Concerto. Arranged in 1969 by a four-composer committee, based on a choral cantata from three decades earlier, this concerto combines Tchaikovsky-like piano virtuosity with socialist hymns and anthems, all of which Lang Lang tosses off with a technical aplomb just as compelling as his performances of other great Romantic piano concertos. Perhaps most appealing of all are the three final tracks, where Lang Lang duets with virtuosi of the traditional Chinese pipa, guanzi, and guzheng. Combining with the piano to create an array of different sounds and textures, these pieces -- like all of Dragon Songs -- allow Lang Lang to bring East and West together in fresh and surprising ways that transcend any musical stereotypes. Scott Paulin, Barnes & Noble