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"There's a little place up Chicago way/where country punk came alive/They birthed it, nursed it, turned it loose/and now Bloodshot's turning five." So begins Robbie Fulks's musing on the Bloodshot saga "Bloodshot's Turning 5," and he should know: Fulks appeared on the label's first release, FOR A LIFE OF SIN: A COMPILATION OF INSURGENT CHICAGO COUNTRY, as did many of the artists on this essential compilation. DOWN TO THE PROMISED LAND celebrates the label's fifth anniversary with a bargain-priced double-disc set of 40 new tracks; it's a treat for fans and a perfect introduction for neophytes. Fulks, the Old 97's, and the Waco Brothers have defined the insurgent country/cow-punk side of the alt-country genre; they're each represented here, as is the rest of the beer-soaked, unpretentious, rollicking Bloodshot roster and some like-minded comrades such as Giant Sand, Johnny Dowd, and Whiskeytown's Ryan Adams and Caitlin Cary. The songs careen from revved-up country punk (the Meat Purveyors, Bare Jr.) to overdriven old-time bluegrass (Moonshine Willy, Split Lip Rayfield) to heart-stopping ballads (the wonderful Neko Case, Alejandro Escovedo, and Kelly Hogan) to warped country soul (Andre Williams duetting with Sally Timms on "Glue," which ends up spelled "G-L-E-U"). Several of the cover versions attest to Bloodshot's inveterate sense of humor: The Wacos convert the Who's "Baba O'Riley" into a cow-punk bash, while the Unholy Trio remake Public Enemy's "Bring the Noise" as a rockabilly travesty. DOWN TO THE PROMISED LAND is country-punk heaven. Happy anniversary, Bloodshot. Steve Klinge, Barnes & Noble