Down the Old Plank Road: The Nashville Sessions

1	Down the Old Plank Road / Tim O'Brien 2:02
2	Country Blues / Julie Miller 3:15
3	Sally Goodin / Earl Scruggs 3:15
4	Dark as a Dungeon / Vince Gill 3:25
5	Cindy / Kentucky Thunder 2:38
6	Molly Bán (Bawn) / Alison Krauss 4:48
7	Don't Let Your Deal Go Down / Lyle Lovett 2:42
8	Ladies Pantalettes/Belles of Blackville/First House in Connaught ... / Béla Fleck 4:17
9	Whole Heap of Little Horses / Patty Griffin 2:46
10	Rain and Snow / The Del McCoury Band 2:52
11	I'll Be All Smiles Tonight / Martina McBride 4:30
12	Tennessee Stud / Jeff White 3:08
13	Katie Dear / Gillian Welch 4:27
14	Give the Fiddler a Dram (Finale) 10:18

Barnes & Noble

This soulful set of lovingly entangled Irish music, country, and bluegrass is not the first Chieftains album to explore the inextricable link between the Emerald Isle and American country. Down the Old Plank Road comes ten years after the quintessential Irish folk band's double-Grammy winner, Another Country, and a second volume of the sessions that produced this album is scheduled for release in early 2003. But the material unearthed here is as fresh as Kentucky bluegrass -- or Irish heather. Some jubilant instrumentals find Paddy Moloney's gracious boys ceding some hot picking to a who's who of American roots -- notably Earl Scruggs on an explosive rendition of "Sally Goodin," Bela Fleck's exhilarating dissertation on Irish reels ("Bela's Reels"), and the jaw-dropping displays of virtuosity on the ambitious album closer, "Give the Fiddler a Dram," which boasts the Big Sky sweep and unabashed frontier brio of an Aaron Copland piece. But nothing really tops the heartfelt singing on beautiful songs such as "Dark as a Dungeon" (a prime Vince Gill moment) and "Molly Ban," yet another stunning Alison Krauss reading of a haunting traditional tune. There's not a dull or rote performance to be found among the contributions from Buddy & Julie Miller, Martina McBride, Patty Griffin, Jeff White (who energizes that old warhorse "The Tennessee Stud"), Gillian Welch & David Rawlins, Lyle Lovett, Ricky Skaggs, and, on an earthy, folkish take of the title track (an Uncle Dave Macon song dating back to 1926), a simpatico quartet comprised of Fleck, John Hiatt, Jeff White, and Tim O'Brien. After four decades at it, the Chieftans are still charting new musical vistas, and the jewels they've returned with from this voyage are earthy and life affirming. David McGee

All Music Guide

In the wake of the success of O Brother Where Art Thou?, this collaboration between Irish supergroup the Chieftains and some of country's best known neo-traditionalists was almost inevitable. Luckily for all involved, the idea actually makes a lot of sense too. Most of the ballads and work songs that were born in the Appalachian hills have deep roots in the traditional music of Scotland, England, and Ireland, and crying fiddles, ringing banjos, and tales of drunkenness, outlaws, and loss are woven deeply into both cultures' musical heritage. Through most of the tracks, the instrumentals work better than the vocal tracks, but the droning "Katie Dear" (performed by the impeccable Gillian Welch and David Rawlings) and Alison Krauss' mournful "Molly Bán" are both heart-wrenching and beautiful no matter what continent they came from. Other highlights include Béla Fleck's firey banjo rolls on a trio of reels, and the underrated Patty Griffin's turn on the traditional "Whole Heap of Little Horses." While the interpretations on Down the Old Plank Road turn out to be successes, the sum of these collaborations aren't as good as the Chieftains doing what they do best: traditional Irish music with subtle contemporary flourishes. Still, anyone who enjoys the music of any of the guests on this release will be pleased with the entire package; sweet and mournful, historic and unprecedented, fun and engaging all rolled into one. Zac Johnson