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Lately, Jack Johnson has been signing checks for guitarist Franchot Tone and drummer Adam Topol, but on their debut as the drivers of the Culver City Dub Collective, the rhythm section is calling the shots for the multiplatinum singer and a host of others. Johnson lends his urgent lead vocals to "Crying Shame," a demonstrative bit of fuzzy, spacially warped, reggae-inflected pop that percolates with horn hits and mallets (Johnson also sings harmony on "Give Voice"). The Collective, which boasts a crew of instrumentalists who double as remixers and producers, takes the dub ethic as a starting point, at times deconstructing perfectly poppy songs such as the ska-styled "No More My Love" and extrapolating on rhythms laid atop rhythms, as on the darkly skanking "Makuta." It's an approach that lends itself to cameos and drop-ins: Ben Harper lends an exotic guitar to the otherworldly "Baghdad Mix" of "Eloise"; Beastie Boys keyboardist Money Mark is on hand; Winston Jarrett, duet partner with Alton Ellis and later the Righteous Flames, gives the proceedings some Jamaican cred. If Dos is any indication, L.A.'s suburbs are a happening place indeed. Mark Schwartz, Barnes & Noble