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His Union Station mates Jerry Douglas and Dan Tyminski may be better known, but Ron Block levels the playing field with his second solo album, an assertive exploration of his Christian faith that is more adventurous than his impressive 2001 debut, Faraway Land. Keeping the faith against daunting odds is the theme of "Above the Line," a song that surges forward on the strength of a jittery rhythm arrangement featuring pounding drums and -- arising from the midst of frenetically attacked acoustic instruments -- a searing, wailing electric guitar solo. "Love's Living Through Me When I Do," a treatise on learning to embrace a higher power's love and guidance, percolates along with an easy, shuffling grace, with evocative interjections from wah-wah guitar and Viktor Krauss on Wurlitzer. Backed throughout by his Union Station compadres as well as stalwarts on the order of bassist Barry Bales and mandolin maestro Adam Steffey, Block mostly stays close to the sound and style he's helped Alison Krauss fashion over the years. The paradox of the Crucifixion -- eternal life springing from Christ's death on the cross -- is beautifully explored in a tender acoustic pop-folk ballad, "Things Aren't Always What They Seem"; the larger meaning of tests of faith is the theme of the atmospheric title track, which features Alison cooing velvety harmonies behind Block's sensitive reading. Purists will be reassured by "Be Assured," a toe-tapping bluegrass gospel workout propelled by a scintillating dialogue between Block's banjo, Steffey's mandolin, and Stuart Duncan's lively fiddle. Making every word and every lick count, Ron Block has fashioned a most compelling testimony here. David McGee, Barnes & Noble