Doll Domination

1	When I Grow Up 4:05
2	Bottle Pop 3:30
3	Whatcha Think About That 3:48
4	I Hate This Part 3:39
5	Takin' Over the World 3:35
6	Out of This Club 4:08
7	Who's Gonna Love You 4:00
8	Happily Never After 4:48
9	Magic 3:41
10	Halo 5:24
11	In Person 3:35
12	Elevator 3:41
13	Hush Hush 3:48
14	Love the Way You Love Me 3:21
15	Whatchamacallit 4:19
16	I'm Done 3:18

All Music Guide

There's a perfectly good reason why the first single from Doll Domination, the Pussycat Dolls' second album, sports the punch line "When I Grow Up/I Want to Be Famous": despite a million-selling debut, the Pussycats aren't famous yet, a fact borne out by the disastrous non-launch of head Doll Nicole Scherzinger's scrapped solo debut Her Name Is Nicole. Heralded by several sexy magazine covers, the record was set for 2007 but disappeared after four singles failed to turn into hits. Maybe they weren't great songs, maybe the public didn't like them, but it's just as likely that even fans may not have known who she was, as her name was buried in the credits to PCD's debut and despite all that skin she flashed on all those magazines, nobody really could tie that girl to this group. Every single thing about Doll Domination suggests that the powers that be at Interscope and the PCD organization decided that PCD was an insufficient launch pad for solo stardom, so they made the second album into a showcase for Nicole and the other four Dolls, none of whom you could possibly name or pick out in a Maxim lineup. On Doll Domination's cover, each Pussycat straddles her own motorcycle bedecked with the initial of her first name, while on the album each gets to sing lead on at least one track and on the double-disc deluxe version -- which clocks in at over 85 minutes, four minutes longer than Pink Floyd's The Wall -- each Pussycat gets a track credited to herself.

Despite the parade of pretty, sculpted, generic R&B voices, there are some good tracks: the ever-reliable Kara DioGuardi helps give the shimmering '80s gloss of "Who's Gonna Love You" some shape and Ne-Yo's "Happily Never After" is a good ballad, and there's a Snoop Dogg cameo and Missy Elliot name-dropping Katy Perry. Stephen Thomas Erlewine

New York Daily News

In the best songs, the Dolls cast themselves as this era's answer to Destiny's Child: an R&B girl group out to wage war on male privilege. Jim Farber