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Discover Choral Music | ||
| 1. | Crux fidelis, inter omnes, hymn (GR 182) 0:50 | |
| Composed by Gregorian Chant | ||
| Performed by Nova Schola Gregoriana | ||
| 2. | Ave Maria... virgo serena, motet for 4 parts 5:31 | |
| Composed by Josquin Desprez | ||
| Performed by Oxford Camerata | ||
| 3. | Missa "Gloria Tibi Trinitas" for six voices: Sanctus (extract) 5:28 | |
| Composed by John Taverner | ||
| Performed by The Sixteen | ||
| 4. | Christe Jesu, pastor bone, antiphon for 5 voices (lacks tenor part) 3:35 | |
| Composed by John Taverner | ||
| Performed by The Cambridge Singers | ||
| 5. | In manus tuas, motet for 5 voices, P. 202 2:36 | |
| Composed by Thomas Tallis | ||
| Performed by Oxford Camerata | ||
| 6. | Laudibus in sanctus (also anthem "Praise the Lord among His Holy ones"), motet for 5 voices (SSATB) 5:47 | |
| Composed by William Byrd | ||
| Performed by Oxford Camerata | ||
| 7. | Missa Aeterna Christi munera, for 4 voices: Agnus Dei 4:58 | |
| Composed by G.P. Da Palestrina | ||
| Performed by Oxford Camerata | ||
| 8. | O Magnum Mysterium, motet for 4 voices 4:17 | |
| Composed by Tomás Luis de Victoria | ||
| Performed by Oxford Camerata | ||
| 9. | Vespro della beata vergine, for chorus & instruments, SV 206: Laudate pueri Dominum 6:05 | |
| Composed by Claudio Monteverdi | ||
| Performed by Scholars Baroque Ensemble | ||
| 10. | Jonas, oratorio for soloists, 5 voices, 2 violins & continuo: Recitative. Et crediderunt Ninevitea... 0:25 | |
| Composed by Giacomo Carissimi | ||
| Performed by Consortium Carissimi | ||
| 11. | Jonas, oratorio for soloists, 5 voices, 2 violins & continuo: Chorus of Ninevites. Peccavimus, Domine... 2:25 | |
| Composed by Giacomo Carissimi | ||
| Performed by Consortium Carissimi | ||
| 12. | Die mit Tränen säen, motet for 2 sopranos, alto, tenor, bass & continuo, SWV 378 (Op. 11/10) 3:39 | |
| Composed by Heinrich Schütz | ||
| Performed by Alsfelder Vokalensemble and I Febiarmonici | ||
| 13. | Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435: Die Weisen (The Wise Men) 2:39 | |
| Composed by Heinrich Schütz | ||
| Performed by Oxford Camerata | ||
| 14. | Salve Regina ŕ 3 choeurs, motet for for 3 choruses & continuo, H. 24 6:29 | |
| Composed by Marc-Antoine Charpentier | ||
| Performed by Le Concert Spirituel Chorus | ||
| 15. | O God, the King of Glory, anthem for voices 4:24 | |
| Composed by Orlando Gibbons | ||
| Performed by Oxford Camerata | ||
| 16. | Hosanna To the Son of David, anthem for 6 voices 1:48 | |
| Composed by Thomas Weelkes | ||
| Performed by Gary Cooper and Oxford Camerata | ||
| 17. | O God, Thou hast cast us out, anthem for 2 sopranos, 2 altos, tenor, bass, 6-part chorus & organ, Z. 36 3:45 | |
| Composed by Henry Purcell | ||
| Performed by Laurence Cummings and Oxford Camerata | ||
| 18. | Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 (BC A183): Chorus. Ein feste Burg ist unser Gott 4:53 | |
| Composed by Johann Sebastian Bach | ||
| Conducted by Matyas Antal | ||
| Performed by Failoni Orchestra and Hungarian Radio Chorus | ||
| 19. | Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 (BC A183): Chorale. Und wenn die Welt voll Teufel wär 3:39 | |
| Composed by Johann Sebastian Bach | ||
| Conducted by Matyas Antal | ||
| Performed by Failoni Orchestra and Hungarian Radio Chorus | ||
| 20. | Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 (BC A183): Chorale. Das Wort sie sollen lassen stahn 1:35 | |
| Composed by Johann Sebastian Bach | ||
| Conducted by Matyas Antal | ||
| Performed by Failoni Orchestra and Hungarian Radio Chorus | ||
| 21. | Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7): Evangelist. Da Jesus geboren war zu Bethlehem... 0:25 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Failoni Orchestra and Hungarian Radio Chorus | ||
| Conducted by Géza Oberfrank | ||
| 22. | Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7): Chorus. Wo ist der neugeborne König der Jüden? 1:46 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Failoni Orchestra and Hungarian Radio Chorus | ||
| Conducted by Géza Oberfrank | ||
| 23. | Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7): Dein Glanz all Finsteris verzehrt... 1:10 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Failoni Orchestra and Hungarian Radio Chorus | ||
| Conducted by Géza Oberfrank | ||
| 24. | Te Deum (Dettingen) for soloists, chorus & orchestra in D major, HWV 283: O Lord, in thee have I trusted 3:56 | |
| Composed by George Frideric Handel | ||
| Performed by Alsfelder Vokalensemble and Concerto Polacco | ||
| Conducted by Wolfgang Helbich | ||
| 25. | Samson, oratorio, HWV 57: Aria and Chorus: Let the bright seraphim... 6:24 | |
| Composed by George Frideric Handel | ||
| Conducted by Harry Christophers | ||
| Performed by The Sixteen and Symphony of Harmony & Invention | ||
| 26. | Mass No. 17 for soloists, chorus & orchestra in C minor (fragment, "Great Mass"), K. 427 (K. 417a): Gloria in excelsis 2:33 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Michael Halász | ||
| Performed by Hungarian Radio Chorus and Nicolaus Esterházy Sinfonia | ||
| 27. | Mass for soloists, chorus, organ & orchestra in D minor ("Lord Nelson"), H. 22/11: Benedictus: Benedictus qui venit 5:33 | |
| Composed by Franz Joseph Haydn | ||
| Conducted by Bela Drahos | ||
| Performed by Hungarian State Radio and Television Chorus and Nicolaus Esterházy Sinfonia | ||
| 28. | Mass for soloists, chorus, organ & orchestra in D minor ("Lord Nelson"), H. 22/11: Benedictus: Hosanna in excelsis 0:44 | |
| Composed by Franz Joseph Haydn | ||
| Conducted by Bela Drahos | ||
| Performed by Hungarian State Radio and Television Chorus and Nicolaus Esterházy Sinfonia | ||
| 29. | Die Schöpfung (The Creation), oratorio, H. 21/2: Aria and Chorus: Nun schwanden vor dem heiligen St 3:43 | |
| Composed by Franz Joseph Haydn | ||
| Conducted by Andreas Spering | ||
| Performed by Capella Augustina and Cologne Vocal Ensemble | ||
| 30. | Psalm 42 ("As pants the hart"), for soloists, chorus & orchestra in F major, Op. 42: Finale: Warum betrübst du dich 4:43 | |
| Composed by Felix Mendelssohn | ||
| Performed by Stuttgart Bach Collegium and Gächinger Kantorei Stuttgart | ||
| Conducted by Helmuth Rilling | ||
| 31. | Os justi, gradual for chorus in Lydian mode, WAB 30 5:07 | |
| Composed by Anton Bruckner | ||
| Performed by St. Bride's Church Choir | ||
| 32. | Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48: In Paradisum 3:23 | |
| Composed by Gabriel Fauré | ||
| Performed by Oxford Camerata and Oxford Schola Cantorum | ||
| 33. | Ein deutsches Requiem (German Requiem), for soprano, baritone, chorus & orchestra, Op. 45: 4. Wie lieblich sind deine Wohnungen 4:47 | |
| Composed by Johannes Brahms | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava) and Slovak Philharmonic Choir | ||
| Conducted by Alexander Rahbari | ||
| 34. | Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17): Prologue: Latent Ancient Hatreds 2:54 | |
| Composed by Hector Berlioz | ||
| Performed by San Diego Master Chorale and San Diego Symphony Orchestra | ||
| Conducted by Yoav Talmi | ||
| 35. | Symphony No. 8 in E flat major ("Symphony of a Thousand"): Part 1. Hymnus: Veni, Creator Spiritus. Imple supe 1:23 | |
| Composed by Gustav Mahler | ||
| Performed by Piotr Nowacki, Jadwiga Rappe, Warsaw National Philharmonic Choir, Warsaw Philharmonic Orchestra, Timothy Bentch, Wojciech Drabowicz, Warsaw Boys' Choir, The Choir of Stefan Wyszynski University in Warsaw, Polish Radio and Television Choir of Krakow, Barbara Kubiak and Ewa Marciniec | ||
| Conducted by Antoni Wit | ||
| 36. | Symphony No. 8 in E flat major ("Symphony of a Thousand"): Part 1. Hymnus: Veni, Creator Spiritus. Veni, Crea 4:09 | |
| Composed by Gustav Mahler | ||
| Performed by Piotr Nowacki, Jadwiga Rappe, Warsaw National Philharmonic Choir, Warsaw Philharmonic Orchestra, Timothy Bentch, Wojciech Drabowicz, Warsaw Boys' Choir, The Choir of Stefan Wyszynski University in Warsaw, Polish Radio and Television Choir of Krakow, Barbara Kubiak and Ewa Marciniec | ||
| Conducted by Antoni Wit | ||
| 37. | The Blue Bird 3:47 | |
| Composed by Charles Villiers Stanford | ||
| Performed by Oxford Camerata | ||
| 38. | Gloria, for soprano, chorus & orchestra, FP 177: Qui sedes ad dexteram Patris 5:42 | |
| Composed by Francis Poulenc | ||
| Performed by Vittoria d'Ile de France Regional Choir and Orchestre de la Cité | ||
| Conducted by Michel Piquemal | ||
| 39. | Mass for soloists & chorus in G minor: Sanctus - Osanna I 2:38 | |
| Composed by Ralph Vaughan Williams | ||
| Performed by Elora Festival Singers | ||
| 40. | Saint Nicholas, cantata for tenor, choruses & large ensemble, Op. 42: He Journeys to Palestine 7:33 | |
| Composed by Benjamin Britten | ||
| Conducted by Steuart Bedford | ||
| Performed by English Chamber Orchestra and Tallis Chamber Choir | ||
| 41. | Antiphon, for chorus & organ, Op. 56b 5:11 | |
| Composed by Benjamin Britten | ||
| Performed by St. John's College Choir, Cambridge | ||
| 42. | Cantate Domino, for SATB chorus or soloists & organ 3:25 | |
| Composed by Arvo Pärt | ||
| Performed by Elora Festival Singers | ||
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