Desert Roses and Arabian Rhythms, Vol. 1

1	Mon Amie la Rosa / Natacha Atlas 4:43
2	La Valse / Faudel 5:04
3	Aalach Tloumouni / Khalèd 5:02
4	Inchallah / Latifa 4:00
5	Desert Rose / Sting Melodic Club Mix 4:44
6	Chie Begam / Andy 4:46
7	I'm Yours / Soraya 4:12
8	Dis Moi Pourquoi / Amina 3:45
9	Hay Wadi Hay Galbi / Cheb Mami 3:41
10	Pomegranate / Transglobal Underground 5:28
11	Esma Yalli / Hakim 4:00
12	La Titnahad / Kazem Al Saher 4:49
13	Qalantiqa / Rachid Taha 5:22

Barnes & Noble

The obvious tie-in for this collection of modern Middle Eastern funk is "Desert Rose," Sting's collaboration with Algeria's prince of rai, Cheb Mami, which was a hit car commercial before becoming a hit single. But the deserts of North Africa and the Levant are lush with Oriental pop, from Cairo's movie music to the ancient Berber funk of Morocco, and this compilation runs the gamut from the exuberant Egyptian heartthrob Hakim ("Esma Yalli") to the gritty snarl of French Algerian provocateur Rachid Taha ("Qalantiqa"). Following the lead of the titular single, Desert Roses includes nods to Arabic rhythm from diaspora diva Natacha Atlas (representing with the seductive "Mon Amie La Rose"), her old U.K. bandmates Transglobal Underground (the dubby "Pomegranates"), and Colombia's Soraya, who rode the incipient wave of Middle Eastern/Latin groove (cf. Shakira) on her '97 hit "I'm Yours." As the titles alone indicate, this crossover-friendly mix is just right for turning hot nights at home into French Riviera fiestas -- thoughtfully included is a special Club Med-style remix of "Desert Rose" by house DJ Victor Calderon. Mark Schwartz

All Music Guide

Inspired by the success of Sting's collaboration with Cheb Mami on "Desert Rose," this 13-song sampler provides an accessible introduction to contemporary music that's connected to North Africa/the Middle East. Balancing Arabian rhythms with modern dance beats and ouds with electric guitars, these songs (several of which are sung in French or English) indicate how musicians have integrated different traditions into modern pop. The album begins with Natacha Atlas, whose haunting and alluring rendition of "Mon Amie la Rose" (a song previously recorded by Francoise Hardy) is likely to motivate many listeners to seek out her Gedida album. "Pomegranates," a song by Atlas' former British bandmates Trans-Global Underground, isn't quite as compelling; however, the group's ethno-techno fusion does provide a different perspective on how musicians have drawn on Arabian sources to create new sounds. Other examples include Iran's Andy, who updates a traditional Persian number; Algeria's Rachid Taha, whose track features Western strings and backing vocals by female trance group B'net Marrakesh"; and highly respected oud and violin master Simon Shaheen, who rearranges "I'm Yours" by Colombian vocalist Sorya. Egyptian vocalist Hakim, who is enormously popular in his homeland, provides a fine example of sha'bi street pop; Tunisia's Latifa, Algeria's Faudel, and Iraqi-born Kazem Al-Saher provide further examples of multicultural pop music; and Khaled's "Aalach Tloumouni" indicates that the compilers did not forget to include the King of rai. Meanwhile, the Prince of rai, Cheb Mami, gets two tracks on this compilation: the lithe "Hay Wadi Hay Galbi," which enhances the album's quality, and a Victor Calderon dance mix of his duet with Sting, which enhances the album's marketability. Unfortunately, some of the selections come perilously close to bland mainstream pop that seems slightly exotic because of the novelty value of the Middle-Eastern influences (e.g., Tunisian-born vocalist Amina's "Dis Moi Pourquoi"). However, most of the selections are good and overall this is a reasonable place to start an exploration of world music. ~ Todd Kristel, All Music Guide