Debut

1	Human Behaviour 4:12
2	Crying 4:49
3	Venus as a Boy 4:41
4	There's More to Life Than This 3:21
5	Like Someone in Love 4:33
6	Big Time Sensuality 3:56
7	One Day 5:24
8	Aeroplane 3:54
9	Come to Me 4:55
10	Violently Happy 4:58
11	The Anchor Song 3:32

Barnes & Noble

Pristine one moment and full of anarchic clutter the next, Björk's 1993 Debut is an artistic manifesto charting almost every inch of available musical territory. Saxophone choirs butt heads with Middle Eastern rhythms and house anthems, and a quiet, restive tune explodes into a big-band blowout to create a sonic soup as rich and tasty as any this decade. Before going solo, Björk spent six years as the lead singer of Iceland's best-known pop group, the Sugarcubes, but little of that work prepared us for the cornucopia of musical ideas on Debut. On "Venus as a Boy," her voice throbs with innocent longing, but on "There's More to Life than This," it sounds almost sinister. Ultimately, Debut doesn't open doors for the electronica crowd as much as it obliterates old structures and builds completely new ones in its place. Martin Johnson

All Music Guide

Freed from the Sugarcubes' confines, Björk takes her voice and creativity to new heights on Debut, her first work after the group's breakup. With producer Nellee Hooper's help, she moves in an elegantly playful, dance-inspired direction, crafting highly individual, emotional electronic pop songs like the shivery, idealistic "One Day" and the bittersweet "Violently Happy." Despite the album's swift stylistic shifts, each of Debut's tracks are distinctively Björk. "Human Behaviour"'s dramatic percussion provides a perfect showcase for her wide-ranging voice; "Aeroplane" casts her as a yearning lover against a lush, exotica-inspired backdrop; and the spare, poignant "Anchor Song" uses just her voice and a brass section to capture the loneliness of the sea. Though Debut is just as arty as anything she recorded with the Sugarcubes, the album's club-oriented tracks provide an exciting contrast to the rest of the album's delicate atmosphere. Björk's playful energy ignites the dance-pop-like "Big Time Sensuality" and turns the genre on its head with "There's More to Life Than This." Recorded live at the Milk Bar Toilets, it captures the dancefloor's sweaty, claustrophobic groove, but her impish voice gives it an almost alien feel. But the album's romantic moments may be its most striking; "Venus as a Boy" fairly swoons with twinkly vibes and lush strings, and Björk's vocals and lyrics -- "His wicked sense of humor/Suggests exciting sex" -- are sweet and just the slightest bit naughty. With harpist Corky Hale, she completely reinvents "Like Someone in Love," making it one of her own ballads. Possibly her prettiest work, Björk's horizons expanded on her other releases, but the album still sounds fresh, which is even more impressive considering electronic music's whiplash-speed innovations. Debut not only announced Björk's remarkable talent; it suggested she had even more to offer. Heather Phares