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In 1956, with the big-band era long dead but the mambo era at full bloom, Stan Kenton and his grandiose 22-piece orchestra, augmented by a five-man Latin percussion section, recorded the bursting-at-the-seams CUBAN FIRE: a six-part suite written and arranged by Johnny Richards. Sounding like the score for some unfilmed wide-screen epic, the album remains a Kenton high point. One of Kenton's best bands -- Lucky Thompson, Bill Perkins, Carl Fontana, Lennie Niehaus, and Mel Lewis are among the first-rate musicians -- play Richards's complex charts with brio, as the percussion section (dressed out with a sixth man on tympani for extra oomph) snaps, crackles, and pops. Lee Jeske, Barnes & Noble