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They never had a major U.S. radio hit, but Liverpool's Echo & the Bunnymen made an indelible mark on the alternative music scene in the '80s, '90s, and beyond. Back then, there were few cooler bands. As Pavement's Spiral Stairs acknowledges in his essay in this remarkable box set, "They made me want to make music myself" (not to mention ape their gravity-defying hairdos). The Bunnymen were very much of their time and place, coming up alongside the likes of the Fall, the Teardrop Explodes, and the Chameleons U.K., but they also forged a distinct sound, built on angular guitars, heady beats, and sweeping vocals, that evolved throughout the years, becoming less angst-riddled and more lush. Over the course of this lovingly packaged box's four CDs, you'll hear elements of the dark-hued psychedelia of the Teardrop Explodes, the punk fury of early Siouxsie & the Banshees, and the grit and gloom of Joy Division and the Cure. But it's the alluring collision of Ian McCulloch's deep, yearning vocals, Will Sergeant's dazzling guitar showers, Les Pattinson's throbbing bass lines, and Pete DeFrietas's incomparable hammering drums that makes the greatest impression. Crystal Days: 1979-1999 offers enough to please both diehards and casual Echo fans. The first three discs sample their recorded works from the very beginning -- a 1979 recording of "Monkeys," featuring Julian Cope on keyboards -- through the band's 1999 album What Are You Going to Do with Your Life? Here you'll fine the band's key singles -- "Rescue," "Do It Clean," "A Promise," "The Cutter," "Never Stop (Discotheque)" (originally issued only as a single), "The Killing Moon (All Night Version)," "Silver" (in the lovely 12" "Tidal Wave" mix), "Bring On the Dancing Horses," "Lips Like Sugar" -- along with standout B-sides, alternative versions, outtakes, and BBC recordings. Disc 4 is where fans will have a field day, reveling in previously unreleased tracks (a cover of Wilson Pickett's "In the Midnight Hour"), alternate takes (a live version of "Zimbo," featuring the Royal Burundi Drummers), and a big batch of the live cover versions the band was known for -- including the Doors' "Soul Kitchen," Television's "Friction," the Stones' "Paint It Black" -- songs which, in retrospect form a blueprint for the Bunnymen's expansive sound. The smartly designed package features a ton of photos, original album and single cover images, a lengthy essay by longtime Echo publicist Mick Houghton, personal commentary from McCulloch and Sergeant, and a detailed track listing, making this a must-have for any alternative music collection. Lydia Vanderloo, Barnes & Noble