Cool Blues [Bonus Tracks] Jimmy Smith

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CD - Remastered

  • Release Date: 01/29/2002
  • Original Release: 1958
  • Sales Rank: 54,146
  • Label: BLUE NOTE RECORDS
  • UPC: 724353558727
 
  • Overview
  • Tracks
  • Editorial Reviews
  • Customer Reviews
  • Details & Credits
Track List
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Cool Blues [Bonus Tracks]

1LISTENDark Eyes 11:43
2LISTENGroovin' at Small's 12:01
3LISTENAnnouncements by Babs Gonzales / Babs Gonzales 0:26
4LISTENA Night in Tunisia 17:04
5LISTENCool Blues 11:07
6LISTENWhat's New? 6:18
7LISTENSmall's Minor 6:44
8LISTENOnce in a While 6:46

About this Artist

Editorial Reviews

Stretching out with some heavy-hitting friends behind him, Jimmy Smith proves why he was, and remains, the king of the Hammond organ. The elements of a classic jam session were all in place on April 7, 1958, the night this album was recorded at Small’s Paradise in New York. Among Smith’s hard-bopping buddies were alto saxophonist Lou Donaldson, the underrated and underecorded tenor saxophone master Tina Brooks, and the iconic Art Blakey, who contributes steaming drums on the first three tracks. (Smith’s regular trio mates, guitarist Eddie McFadden and drummer Donald Bailey, who fills in for the remainder of the tracks, were also on hand.) With four of the performances more than ten minutes long, there’s plenty of playing to be heard from the inspired participants; it’s always good to hear Donaldson in a straight-ahead bop mode, and whatever extra we can get from Brooks is never to be dismissed. Smith, of course, more than holds his own in fast company. In fact, he’s particularly energized here, slamming out keyboard passages and pumping bass lines with passion and abandon. As a document of friends hanging out and having serious fun, Cool Blues is way cool. Steve Futterman, Barnes & Noble



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Customer Reviews

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Cool Blues [Bonus Tracks]by Anonymous

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February 05, 2002: For those of us who prefer Jimmy Smith as the Jazz Musician that made him famous rather than the blues musician that made him rich, this is a welcome surpise. In my own opinion this is his best jazz album by far (I own the vxynl original). On this album alone Smith plays lyrically recalling Clifford Brown in some places and Gene Ammons in others, a great contrast to his usually busy or bluesy style (He does get busy on a Night in Tunisia but otherwise he actually improvises rather than playing one of his beautiful but formulaic solos that you love or just grow to hate). His side men are at their best also. Let's hope that some of his less commercial work continues to be released.