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CD - Remastered
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Stretching out with some heavy-hitting friends behind him, Jimmy Smith proves why he was, and remains, the king of the Hammond organ. The elements of a classic jam session were all in place on April 7, 1958, the night this album was recorded at Small’s Paradise in New York. Among Smith’s hard-bopping buddies were alto saxophonist Lou Donaldson, the underrated and underecorded tenor saxophone master Tina Brooks, and the iconic Art Blakey, who contributes steaming drums on the first three tracks. (Smith’s regular trio mates, guitarist Eddie McFadden and drummer Donald Bailey, who fills in for the remainder of the tracks, were also on hand.) With four of the performances more than ten minutes long, there’s plenty of playing to be heard from the inspired participants; it’s always good to hear Donaldson in a straight-ahead bop mode, and whatever extra we can get from Brooks is never to be dismissed. Smith, of course, more than holds his own in fast company. In fact, he’s particularly energized here, slamming out keyboard passages and pumping bass lines with passion and abandon. As a document of friends hanging out and having serious fun, Cool Blues is way cool. Steve Futterman, Barnes & Noble