Conti: David

Disc 1
1	David, sacred drama: Sinf
2	David, sacred drama: Part
3	David, sacred drama: Part
4	David, sacred drama: Part
5	David, sacred drama: Part
6	David, sacred drama: Part
7	David, sacred drama: Part
8	David, sacred drama: Part
9	David, sacred drama: Part
10	David, sacred drama: Part
11	David, sacred drama: Part
12	David, sacred drama: Part
13	David, sacred drama: Part
14	David, sacred drama: Part
15	David, sacred drama: Part
16	David, sacred drama: Part
17	David, sacred drama: Part
19	David, sacred drama: Part
20	David, sacred drama: Part
21	David, sacred drama: Part
Disc 2
1	David, sacred drama: Part
2	David, sacred drama: Part
3	David, sacred drama: Part
4	David, sacred drama: Part
5	David, sacred drama: Part
6	David, sacred drama: Part
7	David, sacred drama: Part
8	David, sacred drama: Part
9	David, sacred drama: Part
10	David, sacred drama: Part
11	David, sacred drama: Part
12	David, sacred drama: Part
13	David, sacred drama: Part
14	David, sacred drama: Part
15	David, sacred drama: Part
16	David, sacred drama: Part
17	David, sacred drama: Part
18	David, sacred drama: Part
19	David, sacred drama: Part
20	David, sacred drama: Part
21	David, sacred drama: Part
Conti: David
1.	David, sacred drama 2:34:55
	Composed by Francesco Bartolomeo Conti
	Conducted by Alan Curtis
	Performed by Furio Zanasi, Simone Kermes, Il Complesso Barocco, Sonia Prina, Marijana Mijanovic, Coro del Complesso Barocco, Vito Priante and Birgitte Christensen

Gramophone

Conti's arias are strikingly apposite to the dramatic situations and invested with sincere musical depth and richness. This is essential for lovers of Italianate Baroque vocal music. David Vickers

BBC Music Magazine

[August 2007 Disc of the Month] David is a great find -- an exceptionally inventive dramatic oratorio, its action carried vigorously along in powerful and highly original recitative.... There isn't a weak aria in it. George Pratt

The Guardian

It's quite a discovery, full of high-quality arias and vividly descriptive instrumental accompaniments that make Vivaldi's contemporary dramatic works, for instance, seem pallid and routine. Andrew Clements