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Composers In Person [Box Set] | ||
| 1. | Bagatelle: Allegro giocoso, for piano (14 Bagatelles No. 2), Sz. 38/2, BB 50/2 (Op. 6/2) 0:51 | |
| Composed by Béla Bartók | ||
| Performed by Béla Bartók | ||
| 2. | Evening in Transylvania (Este a székelyeknél), for piano (10 Easy Pieces No. 5), Sz. 39/5, BB 51/5 2:42 | |
| Composed by Béla Bartók | ||
| Performed by Béla Bartók | ||
| 3. | Bear Dance (Medvectánc), for piano (10 Easy Pieces No. 10), Sz. 39/10, BB 51/10 1:42 | |
| Composed by Béla Bartók | ||
| Performed by Béla Bartók | ||
| 4. | Romanian Dance No. 1: Allegro vivace, for piano, Sz. 43/1, BB 56/1 (Op. 8a/1) 4:15 | |
| Composed by Béla Bartók | ||
| Performed by Béla Bartók | ||
| 5. | A Bit Drunk (Kicsit ázottan), burlesque for piano No. 2, Sz. 47/2, BB 55/2 (Op. 8c/2) 2:07 | |
| Composed by Béla Bartók | ||
| Performed by Béla Bartók | ||
| 6. | Allegro barbaro, for piano, Sz. 49, BB 63 2:29 | |
| Composed by Béla Bartók | ||
| Performed by Béla Bartók | ||
View all tracks on this disc | ||
For those listeners who missed them when they were first released in the early days of the digital era, EMI's Composers in Person series is presented here in a single package. Most every composer EMI recorded in the first half of the twentieth century is here, from Bartók through Stravinsky with stops for Hindemith, Shostakovich, Elgar, Villa-Lobos, Strauss, and even Lehár among more than a dozen others. Many of the performances are virtually definitive, among them Elgar leading Yehudi Menuhin in his "Violin Concerto," Dohnányi performing his own "Variations on a Nursery Song," and Peter Pears and Benjamin Britten performing the latter's "Michelangelo" and "Donne Sonnets." All of the performances are fascinating. Hans Pfitzner finds more in his music than any conductor since, and Stravinsky's early recordings, while less cogent than his later recordings, are also sharper-cornered and harder-edged. It should be said that some of the performances are not particularly well played; Holst, for example, is not an especially adept conductor and his "The Planets" almost spins out of control. But all the performances here demonstrate insights into the music that other interpreters have inevitably missed. Lovingly restored, the sound here is in most cases small, gray, hard, and harsh. James Leonard, All Music Guide
Composers In Person [Box Set] | ||
| 1. | Bagatelle: Allegro giocoso, for piano (14 Bagatelles No. 2), Sz. 38/2, BB 50/2 (Op. 6/2) 0:51 | |
| Composed by Béla Bartók | ||
| Performed by Béla Bartók | ||
| 2. | Evening in Transylvania (Este a székelyeknél), for piano (10 Easy Pieces No. 5), Sz. 39/5, BB 51/5 2:42 | |
| Composed by Béla Bartók | ||
| Performed by Béla Bartók | ||
| 3. | Bear Dance (Medvectánc), for piano (10 Easy Pieces No. 10), Sz. 39/10, BB 51/10 1:42 | |
| Composed by Béla Bartók | ||
| Performed by Béla Bartók | ||
| 4. | Romanian Dance No. 1: Allegro vivace, for piano, Sz. 43/1, BB 56/1 (Op. 8a/1) 4:15 | |
| Composed by Béla Bartók | ||
| Performed by Béla Bartók | ||
| 5. | A Bit Drunk (Kicsit ázottan), burlesque for piano No. 2, Sz. 47/2, BB 55/2 (Op. 8c/2) 2:07 | |
| Composed by Béla Bartók | ||
| Performed by Béla Bartók | ||
| 6. | Allegro barbaro, for piano, Sz. 49, BB 63 2:29 | |
| Composed by Béla Bartók | ||
| Performed by Béla Bartók | ||
| 7. | Suite for piano, Sz. 62, BB 70 (Op. 14) 8:13 | |
| Composed by Béla Bartók | ||
| Performed by Béla Bartók | ||
| 8. | Mikrokosmos, progressive pieces (153) for piano in 6 volumes, Sz. 107, BB 105: Staccato (Allegretto mosso), Vol. 5, No. 124 1:17 | |
| Composed by Béla Bartók | ||
| Performed by Béla Bartók | ||
| 9. | Mikrokosmos, progressive pieces (153) for piano in 6 volumes, Sz. 107, BB 105: Ostinato (Vivacissimo), Vol. 6, No. 146 2:17 | |
| Composed by Béla Bartók | ||
| Performed by Béla Bartók | ||
| 10. | Hungarian Folksongs (10) (Magyar népdalok), for voice & piano Vol. 1, Sz. 33, BB 42: No. 1: Elindultam szép hazámbol / No. 2: Által men 5:38 | |
| Composed by Béla Bartók | ||
| Performed by Béla Bartók and Vilma Medgyaszay | ||
| 11. | Hungarian Folksongs (8) (Nyolc magyar népdal), for voice & piano, Sz. 64, BB 47: No. 1: Fekete fód / No. 2: Istenem, istenem / No. 5:04 | |
| Composed by Béla Bartók | ||
| Performed by Béla Bartók and Maria Basilides | ||
| 12. | Hungarian Folksongs (8) (Nyolc magyar népdal), for voice & piano, Sz. 64, BB 47: No. 5: Tóltik a nagy erdo útját / No. 7: Eddig val 3:57 | |
| Composed by Béla Bartók | ||
| Performed by Béla Bartók and Ferenc Szekeres | ||
| 13. | Work(s): 7 Hungarian Folk Tunes (from For Children, Sz42) 7:38 | |
| Composed by Béla Bartók | ||
| Performed by Béla Bartók and Zoltán Székely | ||
| 14. | Romanian Folk Dances (6) (Román népi táncok), for piano, Sz. 56, BB 68 5:26 | |
| Composed by Béla Bartók | ||
| Performed by Béla Bartók and Zoltán Székely | ||
| 15. | Variations on a Nursery Song, for piano & orchestra, Op. 25 21:42 | |
| Composed by Ernst von Dohnányi | ||
| Performed by Ernst von Dohnányi and London Symphony Orchestra | ||
| Conducted by Lawrance Collingwood | ||
| 16. | Sonata for solo viola, Op. 25/1 15:29 | |
| Composed by Paul Hindemith | ||
| Performed by Paul Hindemith | ||
| 17. | Duet (Scherzo), for viola & cello 3:31 | |
| Composed by Paul Hindemith | ||
| Performed by Paul Hindemith and Emanuel Feuermann | ||
| 18. | Nobilissima visione, ballet suite for orchestra 25:09 | |
| Composed by Paul Hindemith | ||
| Conducted by Paul Hindemith | ||
| Performed by New Philharmonia Orchestra of London | ||
| 19. | Symphonia Serena, for orchestra 33:50 | |
| Composed by Paul Hindemith | ||
| Conducted by Paul Hindemith | ||
| Performed by New Philharmonia Orchestra of London | ||
| 20. | Trio for strings No.2 23:18 | |
| Composed by Paul Hindemith | ||
| Performed by Paul Hindemith, Emanuel Feuermann and Szymon Goldberg | ||
| 21. | Clarinet Concerto 24:19 | |
| Composed by Paul Hindemith | ||
| Conducted by Paul Hindemith | ||
| Performed by Louis Cahuzac and New Philharmonia Orchestra of London | ||
| 22. | Horn Concerto 15:03 | |
| Composed by Paul Hindemith | ||
| Conducted by Paul Hindemith | ||
| Performed by Dennis Brain and New Philharmonia Orchestra of London | ||
| 23. | Konzertmusik, for brass & strings, Op. 50 16:10 | |
| Composed by Paul Hindemith | ||
| Conducted by Paul Hindemith | ||
| Performed by New Philharmonia Orchestra of London | ||
| 24. | Masquerada, suite from the incidental music for orchestra (or piano): 1. Waltz 4:15 | |
| Composed by Aram Khachaturian | ||
| Conducted by Aram Khachaturian | ||
| Performed by New Philharmonia Orchestra of London | ||
| 25. | Masquerada, suite from the incidental music for orchestra (or piano): 2. Nocturne 4:37 | |
| Composed by Aram Khachaturian | ||
| Conducted by Aram Khachaturian | ||
| Performed by New Philharmonia Orchestra of London | ||
| 26. | Masquerada, suite from the incidental music for orchestra (or piano): 3. Mazurka 2:31 | |
| Composed by Aram Khachaturian | ||
| Conducted by Aram Khachaturian | ||
| Performed by New Philharmonia Orchestra of London | ||
| 27. | Violin Concerto in D minor (also arranged for violin & piano) 35:38 | |
| Composed by Aram Khachaturian | ||
| Conducted by Aram Khachaturian | ||
| Performed by David Oistrakh and New Philharmonia Orchestra of London | ||
| 28. | Gayane, ballet in 4 acts: 1. Dance of the Rose-Maidens 2:07 | |
| Composed by Aram Khachaturian | ||
| Conducted by Aram Khachaturian | ||
| Performed by New Philharmonia Orchestra of London | ||
| 29. | Gayane, ballet in 4 acts: 2. Ayesha's Awakening and Dance 5:31 | |
| Composed by Aram Khachaturian | ||
| Conducted by Aram Khachaturian | ||
| Performed by New Philharmonia Orchestra of London | ||
| 30. | Gayane, ballet in 4 acts: 3. Lullaby 5:11 | |
| Composed by Aram Khachaturian | ||
| Conducted by Aram Khachaturian | ||
| Performed by New Philharmonia Orchestra of London | ||
| 31. | Gayane, ballet in 4 acts: 4. Gayaneh's Adagio 4:18 | |
| Composed by Aram Khachaturian | ||
| Conducted by Aram Khachaturian | ||
| Performed by New Philharmonia Orchestra of London | ||
| 32. | Gayane, ballet in 4 acts: 5. Lezghinka 2:37 | |
| Composed by Aram Khachaturian | ||
| Conducted by Aram Khachaturian | ||
| Performed by New Philharmonia Orchestra of London | ||
| 33. | Gayane, ballet in 4 acts: 6. Lyrical Duet (of Ayesha and Armen) 5:09 | |
| Composed by Aram Khachaturian | ||
| Conducted by Aram Khachaturian | ||
| Performed by New Philharmonia Orchestra of London | ||
| 34. | Gayane, ballet in 4 acts: 7. Dance of the Old Men and Women 4:21 | |
| Composed by Aram Khachaturian | ||
| Conducted by Aram Khachaturian | ||
| Performed by New Philharmonia Orchestra of London | ||
| 35. | Gayane, ballet in 4 acts: 8. Sabre Dance 2:09 | |
| Composed by Aram Khachaturian | ||
| Conducted by Aram Khachaturian | ||
| Performed by New Philharmonia Orchestra of London | ||
| 36. | Pastorale d'été, symphonic poem for chamber orchestra, H31 7:53 | |
| Composed by Honegger | ||
| Conducted by Honegger | ||
| 37. | Concerto, for cello & orchestra in C major, H72 17:19 | |
| Composed by Honegger | ||
| Conducted by Honegger | ||
| Performed by Maurice Maréchal and Paris Conservatory Concert Society Orchestra | ||
| 38. | Trois mouvements perpétuels, for piano, FP 14 4:36 | |
| Composed by Poulenc | ||
| Performed by Poulenc | ||
| 39. | Trio for oboe, bassoon & piano, FP 43 11:20 | |
| Composed by Poulenc | ||
| Performed by Poulenc, Gustave Dherin and Roger Lamorlette | ||
| 40. | Novelettes (2) for piano, FP 47 3:36 | |
| Composed by Poulenc | ||
| Performed by Poulenc | ||
| 41. | Nocturnes (8) for piano, FP 56: No. 1 in C 3:24 | |
| Composed by Poulenc | ||
| Performed by Poulenc | ||
| 42. | Nocturnes (8) for piano, FP 56: No. 2 in A (Bal des jeunes filles) 1:20 | |
| Composed by Poulenc | ||
| Performed by Poulenc | ||
| 43. | Nocturnes (8) for piano, FP 56: No. 4 in C minor (Bal fantôme) 1:37 | |
| Composed by Poulenc | ||
| Performed by Poulenc | ||
| 44. | Improvisations (15) for piano, FP 63, 113, 170, 176: No. 2 in A flat 1:39 | |
| Composed by Poulenc | ||
| Performed by Poulenc | ||
| 45. | Improvisations (15) for piano, FP 63, 113, 170, 176: No. 5 in A minor 1:25 | |
| Composed by Poulenc | ||
| Performed by Poulenc | ||
| 46. | Improvisations (15) for piano, FP 63, 113, 170, 176: No. 9 in D 1:08 | |
| Composed by Poulenc | ||
| Performed by Poulenc | ||
| 47. | Improvisations (15) for piano, FP 63, 113, 170, 176: No. 10 in F (Éloge des gammes) 1:30 | |
| Composed by Poulenc | ||
| Performed by Poulenc | ||
| 48. | Aubade, choreographic concerto for piano & 18 instruments, FP 51 18:56 | |
| Composed by Poulenc | ||
| Performed by Poulenc and Walther Straram Orchestra | ||
| Conducted by Walther Straram | ||
| 49. | Symphony No. 5 in F minor for organ, Op. 42/1: 5. Toccata: Allegro 6:36 | |
| Composed by Charles-Marie Widor | ||
| Performed by Charles-Marie Widor | ||
| 50. | Symphony No. 9 in C minor for organ ("Gothique"), Op. 70 15:22 | |
| Composed by Charles-Marie Widor | ||
| Performed by Charles-Marie Widor | ||
| 51. | Improvisations (3) for organ: 1. Marche épiscopale 3:22 | |
| Composed by Louis Vierne | ||
| Performed by Louis Vierne | ||
| 52. | Pičces de fantaisie, for organ, Suite 1, Op. 51: 2. Andantino 3:01 | |
| Composed by Louis Vierne | ||
| Performed by Louis Vierne | ||
| 53. | Pičces de fantaisie, for organ, Suite 1, Op. 51: 3. Cortčge 2:23 | |
| Composed by Louis Vierne | ||
| Performed by Louis Vierne | ||
| 54. | Suite Bretonne, for organ, Op. 21: 1. Berceuse 4:09 | |
| Composed by Marcel Dupré | ||
| Performed by Marcel Dupré | ||
| 55. | Préludes and Fugues (3) for organ, Op. 7: No. 3 in G minor 6:00 | |
| Composed by Marcel Dupré | ||
| Performed by Marcel Dupré | ||
| 56. | Le banquet céleste, for organ, I/1 7:27 | |
| Composed by Olivier Messiaen | ||
| Performed by Olivier Messiaen | ||
| 57. | L' Ascension, for organ (arr. from orchestral piece), I/12b 28:16 | |
| Composed by Olivier Messiaen | ||
| Performed by Olivier Messiaen | ||
| 58. | Violin Concerto in B minor, Op. 61 49:55 | |
| Composed by Edward Elgar | ||
| Conducted by Edward Elgar | ||
| Performed by London Symphony Orchestra and Yehudi Menuhin | ||
| 59. | Cello Concerto in E minor, Op. 85 24:56 | |
| Composed by Edward Elgar | ||
| Conducted by Edward Elgar | ||
| Performed by New Symphony Orchestra of London and Beatrice Harrison | ||
| 60. | Apparition de l'église éternelle, for organ, I/8 10:26 | |
| Composed by Olivier Messiaen | ||
| Performed by Olivier Messiaen | ||
| 61. | La Nativité du Seigneur, meditations (9) for organ, I/14 1:00:51 | |
| Composed by Olivier Messiaen | ||
| Performed by Olivier Messiaen | ||
| 62. | Piano Concerto No. 3 in C major, Op. 26 24:50 | |
| Composed by Sergey Prokofiev | ||
| Performed by Sergey Prokofiev and London Symphony Orchestra | ||
| Conducted by Piero Coppola | ||
| 63. | Pieces (4) for piano, Op. 4: No. 4. Suggestion diabolique 2:26 | |
| Composed by Sergey Prokofiev | ||
| Performed by Sergey Prokofiev | ||
| 64. | Visions fugitives (20), for piano, Op. 22: No. 3: Allegretto 0:55 | |
| Composed by Sergey Prokofiev | ||
| Performed by Sergey Prokofiev | ||
| 65. | Visions fugitives (20), for piano, Op. 22: No. 5: Molto giocoso 0:23 | |
| Composed by Sergey Prokofiev | ||
| Performed by Sergey Prokofiev | ||
| 66. | Visions fugitives (20), for piano, Op. 22: No. 6: Con eleganza 0:19 | |
| Composed by Sergey Prokofiev | ||
| Performed by Sergey Prokofiev | ||
| 67. | Visions fugitives (20), for piano, Op. 22: No. 9: Allegretto tranquillo 1:06 | |
| Composed by Sergey Prokofiev | ||
| Performed by Sergey Prokofiev | ||
| 68. | Visions fugitives (20), for piano, Op. 22: No. 10: Ridicolosamente 0:51 | |
| Composed by Sergey Prokofiev | ||
| Performed by Sergey Prokofiev | ||
| 69. | Visions fugitives (20), for piano, Op. 22: No. 11: Con vivacitŕ 0:55 | |
| Composed by Sergey Prokofiev | ||
| Performed by Sergey Prokofiev | ||
| 70. | Visions fugitives (20), for piano, Op. 22: No. 16: Dolente 1:32 | |
| Composed by Sergey Prokofiev | ||
| Performed by Sergey Prokofiev | ||
| 71. | Visions fugitives (20), for piano, Op. 22: No. 17: Poetico 0:52 | |
| Composed by Sergey Prokofiev | ||
| Performed by Sergey Prokofiev | ||
| 72. | Visions fugitives (20), for piano, Op. 22: No. 18: Con una dolce lentezza 1:18 | |
| Composed by Sergey Prokofiev | ||
| Performed by Sergey Prokofiev | ||
| 73. | Symphony No. 1 in D major ("Classical"), Op. 25: 3. Gavotte 1:24 | |
| Composed by Sergey Prokofiev | ||
| Performed by Sergey Prokofiev | ||
| 74. | Piano Sonata No. 4 in C minor, Op. 29: 2. Andante assai 6:14 | |
| Composed by Sergey Prokofiev | ||
| Performed by Sergey Prokofiev | ||
| 75. | Pieces (4) for piano, Op. 32: No. 3. Gavotte 1:28 | |
| Composed by Sergey Prokofiev | ||
| Performed by Sergey Prokofiev | ||
| 76. | The Seasons, ballet, Op. 67 34:37 | |
| Composed by Alexander Glazunov | ||
| Conducted by Alexander Konstantinovich Glazunov | ||
| 77. | Bachianas Brasileiras No. 2, for orchestra, A. 247: 4. Toccata: Un poco moderato (O Trenzinho do Caipi 4:11 | |
| Composed by Villa-Lobos-Duo | ||
| Conducted by Villa-Lobos-Duo | ||
| Performed by Fernand Benedetti and Victoria de Los Angeles | ||
| 78. | Bachianas Brasileiras No. 5, for voice & 8 cellos, A. 389 10:52 | |
| Composed by Villa-Lobos-Duo | ||
| Conducted by Villa-Lobos-Duo | ||
| Performed by Fernand Benedetti and Victoria de Los Angeles | ||
| 79. | Miniaturas (6), song cycle for voice & piano, A. 056: No. 2: Viola 2:58 | |
| Composed by Villa-Lobos-Duo | ||
| Performed by Villa-Lobos-Duo and Frederick Fuller | ||
| 80. | Modinhas e cançőes, song cycle for voice & orchestra, Album 1 (7), A. 406: No. 3: Cantilena 2:09 | |
| Composed by Villa-Lobos-Duo | ||
| Performed by Villa-Lobos-Duo and Frederick Fuller | ||
| 81. | Momoprecoce, fantasy for piano & orchestra, A. 240 22:48 | |
| Composed by Villa-Lobos-Duo | ||
| Conducted by Villa-Lobos-Duo | ||
| Performed by Magda Tagliaferro | ||
| 82. | Bachianas Brasileiras No. 4, for piano & orchestra, A. 424 22:41 | |
| Composed by Villa-Lobos-Duo | ||
| Conducted by Villa-Lobos-Duo | ||
| Performed by Orchestre National de la Radiodiffusion Française | ||
| 83. | Chôros No. 10, for chorus & orchestra, "Rasga o Coraçao" (also ballet, "Jurapary"), A. 209 12:47 | |
| Composed by Villa-Lobos-Duo | ||
| Conducted by Villa-Lobos-Duo | ||
| Performed by Jeunesses Musicales de France Choir, Louis Martini and Orchestre National de la Radiodiffusion Française | ||
| 84. | Das Christ-Elflein, opera, Op 20: Overture 11:00 | |
| Composed by Hans Pfitzner | ||
| Conducted by Hans Pfitzner | ||
| Performed by Orchester der Bayerischen Staatsoper | ||
| 85. | Palestrina, opera in 3 acts: Act 1. Prelude 6:59 | |
| Composed by Hans Pfitzner | ||
| Conducted by Hans Pfitzner | ||
| Performed by Orchester der Bayerischen Staatsoper | ||
| 86. | Palestrina, opera in 3 acts: Act 2. Prelude 6:01 | |
| Composed by Hans Pfitzner | ||
| Conducted by Hans Pfitzner | ||
| Performed by Orchester der Bayerischen Staatsoper | ||
| 87. | Palestrina, opera in 3 acts: Act 3. Prelude 7:25 | |
| Composed by Hans Pfitzner | ||
| Conducted by Hans Pfitzner | ||
| Performed by Orchester der Bayerischen Staatsoper | ||
| 88. | Duo for violin, cello & piano (or small orchestra), Op 43 13:03 | |
| Composed by Hans Pfitzner | ||
| Conducted by Hans Pfitzner | ||
| Performed by Ludwig Hoelscher, Max Strub and Orchester der Bayerischen Staatsoper | ||
| 89. | Hast du von den Fischerkindern, song for voice & piano, Op. 7/1 2:57 | |
| Composed by Hans Pfitzner | ||
| Performed by Hans Pfitzner and Gerhard Hüsch | ||
| 90. | Der Gärtner, for voice & piano, Op. 9/1 2:52 | |
| Composed by Hans Pfitzner | ||
| Performed by Hans Pfitzner and Gerhard Hüsch | ||
| 91. | Songs (5) for voice & piano, Op 9, No. 2, "Die Einsame", Op. 9/2 2:37 | |
| Composed by Hans Pfitzner | ||
| Performed by Hans Pfitzner and Gerhard Hüsch | ||
| 92. | Zum Abschied meiner Tochter, Op.10/3 2:15 | |
| Composed by Hans Pfitzner | ||
| Performed by Hans Pfitzner and Gerhard Hüsch | ||
| 93. | Songs (2) for voice & piano, Op. 19: No. 2, Michaelskirchplatz 2:14 | |
| Composed by Hans Pfitzner | ||
| Performed by Hans Pfitzner and Gerhard Hüsch | ||
| 94. | In Danzig, song for voice & piano, Op. 22/1 3:25 | |
| Composed by Hans Pfitzner | ||
| Performed by Hans Pfitzner and Gerhard Hüsch | ||
| 95. | Nachts, song for voice & piano, Op. 26/2 2:44 | |
| Composed by Hans Pfitzner | ||
| Performed by Hans Pfitzner and Gerhard Hüsch | ||
| 96. | Abbitte, for voice & piano, Op. 29/1 2:41 | |
| Composed by Hans Pfitzner | ||
| Performed by Hans Pfitzner and Gerhard Hüsch | ||
| 97. | Songs (4) for voice & piano, Op. 32: No. 1, Hussens Kerker 4:44 | |
| Composed by Hans Pfitzner | ||
| Performed by Hans Pfitzner and Gerhard Hüsch | ||
| 98. | Songs (4) for voice & piano, Op. 32: No. 2, Säerspruch 1:23 | |
| Composed by Hans Pfitzner | ||
| Performed by Hans Pfitzner and Gerhard Hüsch | ||
| 99. | Leuchtende Tage, for voice & piano, Op.40/1 1:12 | |
| Composed by Hans Pfitzner | ||
| Performed by Hans Pfitzner and Gerhard Hüsch | ||
| 100. | Herbstgefühl, for voice & piano, Op. 40/4 1:35 | |
| Composed by Hans Pfitzner | ||
| Performed by Hans Pfitzner and Gerhard Hüsch | ||
| 101. | La création du monde, ballet for orchestra, Op. 81 14:52 | |
| Composed by Darius Milhaud | ||
| Conducted by Darius Milhaud | ||
| Performed by Orchestra of 19 Soloists | ||
| 102. | Scaramouche (3), suite for 2 pianos, Op. 165b 8:46 | |
| Composed by Darius Milhaud | ||
| Performed by Darius Milhaud and Marcelle Meyer | ||
| 103. | Saudades do Brasil (12), suite of dances for piano, Op. 67 22:51 | |
| Composed by Darius Milhaud | ||
| Conducted by Darius Milhaud | ||
| Performed by Concert Arts Symphony Orchestra | ||
| 104. | Suite provençale, for orchestra, Op. 152a 15:14 | |
| Composed by Darius Milhaud | ||
| Conducted by Darius Milhaud | ||
| Performed by Concert Arts Symphony Orchestra | ||
| 105. | Le boeuf sur le toit, ballet for orchestra, Op. 58 15:08 | |
| Composed by Darius Milhaud | ||
| Conducted by Darius Milhaud | ||
| Performed by Orchestre du Théâtre de Champs-Élysées, Paris | ||
| 106. | Le bestiaire (Cortčge d'Orphée), song cycle for voice & piano (or chamber ensemble), FP 15a 4:46 | |
| Composed by Poulenc | ||
| Performed by Poulenc and Pierre Bernac | ||
| 107. | Chansons gaillardes, song cycle for voice & piano, FP 42: 4. Invocation aux Parques 1:34 | |
| Composed by Poulenc | ||
| Performed by Poulenc and Pierre Bernac | ||
| 108. | Chansons gaillardes, song cycle for voice & piano, FP 42: 7. La belle jeunesse 1:26 | |
| Composed by Poulenc | ||
| Performed by Poulenc and Pierre Bernac | ||
| 109. | Tel jour, telle nuit, song cycle for voice & piano, FP 86 13:19 | |
| Composed by Poulenc | ||
| Performed by Poulenc and Pierre Bernac | ||
| 110. | Deux počmes de Guillaume Apollinaire, for voice & piano, FP 94: 1. Dans le jardin d'Anna 3:02 | |
| Composed by Poulenc | ||
| Performed by Poulenc and Pierre Bernac | ||
| 111. | Métamorphoses, song cycle for voice & piano, FP 121 4:00 | |
| Composed by Poulenc | ||
| Performed by Poulenc and Pierre Bernac | ||
| 112. | Deux počmes de Louis Aragon, for voice & piano, FP 122 4:09 | |
| Composed by Poulenc | ||
| Performed by Poulenc and Pierre Bernac | ||
| 113. | Deux mélodies sur des počmes de Guillaume Apollinaire, for voice & piano, FP 131: Montparnasse 3:46 | |
| Composed by Poulenc | ||
| Performed by Poulenc and Pierre Bernac | ||
| 114. | Sonnets (7) of Michelangelo, for voice & piano, Op. 22 16:15 | |
| Composed by Benjamin Britten | ||
| Performed by Benjamin Britten and Peter Pears | ||
| 115. | The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35 23:47 | |
| Composed by Benjamin Britten | ||
| Performed by Benjamin Britten and Peter Pears | ||
| 116. | Piano Concerto No. 1, for piano, trumpet & strings, in C minor, Op. 35 21:59 | |
| Composed by Dmitry Shostakovich | ||
| Performed by Dmitry Shostakovich, Ludovic Vaillant and Orchestre National de la Radiodiffusion Française | ||
| Conducted by André Cluytens | ||
| 117. | Piano Concerto No. 2 in F major, Op. 102 17:25 | |
| Composed by Dmitry Shostakovich | ||
| Performed by Dmitry Shostakovich and Orchestre National de la Radiodiffusion Française | ||
| Conducted by André Cluytens | ||
| 118. | Fantastic Dances (3), for piano, Op. 5 3:01 | |
| Composed by Dmitry Shostakovich | ||
| Performed by Dmitry Shostakovich and Orchestre National de la Radiodiffusion Française | ||
| Conducted by André Cluytens | ||
| 119. | Preludes & Fugues (24), for piano, Op. 87: No. 1: Moderato in C 4:57 | |
| Composed by Dmitry Shostakovich | ||
| Performed by Dmitry Shostakovich and Orchestre National de la Radiodiffusion Française | ||
| Conducted by André Cluytens | ||
| 120. | Preludes & Fugues (24), for piano, Op. 87: No. 4: Andante - Adagio in E minor 7:26 | |
| Composed by Dmitry Shostakovich | ||
| Performed by Dmitry Shostakovich and Orchestre National de la Radiodiffusion Française | ||
| Conducted by André Cluytens | ||
| 121. | Preludes & Fugues (24), for piano, Op. 87: No. 5: Allegretto in D major 2:51 | |
| Composed by Dmitry Shostakovich | ||
| Performed by Dmitry Shostakovich and Orchestre National de la Radiodiffusion Française | ||
| Conducted by André Cluytens | ||
| 122. | Preludes & Fugues (24), for piano, Op. 87: No. 23: Adagio - Moderato con moto 6:44 | |
| Composed by Dmitry Shostakovich | ||
| Performed by Dmitry Shostakovich and Orchestre National de la Radiodiffusion Française | ||
| Conducted by André Cluytens | ||
| 123. | Preludes & Fugues (24), for piano, Op. 87: No. 24: Andante - Moderato in D minor 11:42 | |
| Composed by Dmitry Shostakovich | ||
| Performed by Dmitry Shostakovich and Orchestre National de la Radiodiffusion Française | ||
| Conducted by André Cluytens | ||
| 124. | Les Noces III (The Wedding), ballet in 4 tableaux for vocal soloists, chorus, 4 pianos & percussion 23:40 | |
| Composed by Igor Stravinsky | ||
| Conducted by Igor Stravinsky | ||
| Performed by BBC Symphony Chorus, Roy Henderson, Leslie Heward, Parry Jones, Ernest Lush, Linda Seymour, Berkeley Mason, Edwin Benbow, Kate Winter and Percurama Percussion Ensemble | ||
| 125. | Octet for wind instruments 15:11 | |
| Composed by Igor Stravinsky | ||
| Conducted by Igor Stravinsky | ||
| Performed by Marcel Moyse, Gustave Dherin, Emile Godeau, Raphaël Delbos, Eugčne Foveau, André Lafosse, Marus Piard and Pierre Vignol | ||
| 126. | Capriccio, for piano & orchestra 17:35 | |
| Composed by Igor Stravinsky | ||
| Performed by Igor Stravinsky and Walther Straram Orchestra | ||
| Conducted by Ernest Ansermet | ||
| 127. | Symphony of Psalms, for chorus & orchestra 21:09 | |
| Composed by Igor Stravinsky | ||
| Conducted by Igor Stravinsky | ||
| Performed by Alexis Vlassof Chorus and Walther Straram Orchestra | ||
| 128. | Pastorale, song without words for violin & woodwind quartet 2:48 | |
| Composed by Igor Stravinsky | ||
| Conducted by Igor Stravinsky | ||
| Performed by Samuel Dushkin, Louis Gromer, Georges Durand, Gabriel Grandmaison and André Vacellier | ||
| Additional Notes: transcribed for violin & wind quartet | ||
| 129. | Scherzo, transcribed for violin & piano (after L'oiseau de feu, with Samuel Dushkin) 2:46 | |
| Composed by Igor Stravinsky | ||
| Performed by Igor Stravinsky and Samuel Dushkin | ||
| 130. | Berceuse, for violin & piano (after L'Oiseau de Feu, transcribed by Stravinsky) 3:16 | |
| Composed by Igor Stravinsky | ||
| Performed by Igor Stravinsky and Samuel Dushkin | ||
| 131. | Russian Dance, transcription for violin & piano (after Petrushka, with Samuel Dushkin): Danse russe 2:51 | |
| Composed by Igor Stravinsky | ||
| Performed by Igor Stravinsky and Samuel Dushkin | ||
| Additional Notes: transcribed for violin & piano~transcribed by Stravinsky, Igor~transcribed by Dushkin, Samuel | ||
| 132. | Chants du Rossignol et Marche Chinoise, for violin & piano (transcribed with Samuel Dushkin) 8:04 | |
| Composed by Igor Stravinsky | ||
| Performed by Igor Stravinsky and Samuel Dushkin | ||
| Additional Notes: transcribed for violin & piano | ||
| 133. | Ragtime, for 11 instruments 4:26 | |
| Composed by Igor Stravinsky | ||
| Performed by Aladar Racz, Igor Stravinsky, Lucien Lavaillote, Emile Godeau, Jean Devemy, Eugčne Foveau, Roger Tudesq, Henri Volant, Roland Charmy, Étienne Ginot, Louis Juste and Jean Morel | ||
| 134. | Piano-Rag-Music, for piano 3:18 | |
| Composed by Igor Stravinsky | ||
| Performed by Igor Stravinsky | ||
| 135. | Suite Italienne, for violin & piano (after Pulcinella, transcribed with Samuel Dushkin): 2. Serenata 2:53 | |
| Composed by Igor Stravinsky | ||
| Performed by Igor Stravinsky and Samuel Dushkin | ||
| Additional Notes: transcribed by Stravinsky, Igor~transcribed by Dushkin, Samuel~transcribed for violin & piano | ||
| 136. | Suite Italienne, for violin & piano (after Pulcinella, transcribed with Samuel Dushkin): 5. Scherzino 1:27 | |
| Composed by Igor Stravinsky | ||
| Performed by Igor Stravinsky and Samuel Dushkin | ||
| Additional Notes: transcribed by Stravinsky, Igor~transcribed by Dushkin, Samuel~transcribed for violin & piano | ||
| 137. | Serenade for piano in A major 11:20 | |
| Composed by Igor Stravinsky | ||
| Performed by Igor Stravinsky | ||
| 138. | Duo Concertante, for violin & piano 14:44 | |
| Composed by Igor Stravinsky | ||
| Performed by Igor Stravinsky and Samuel Dushkin | ||
| 139. | Concerto for 2 solo pianos 19:30 | |
| Composed by Igor Stravinsky | ||
| Performed by Soulima Stravinsky and Igor Stravinsky | ||
| 140. | Eine Alpensinfonie (An Alpine Symphony) for orchestra, Op. 64 (TrV 233) 45:35 | |
| Composed by Richard Strauss | ||
| Conducted by Richard Strauss | ||
| Performed by Bayerische Staatskapelle | ||
| 141. | Der Rosenkavalier, opera, Op. 59 (TrV 227): Act 1. Introduction...love scene 4:04 | |
| Composed by Richard Strauss | ||
| Conducted by Richard Strauss | ||
| Performed by London Augmented Tivoli Theatre Orchestra | ||
| 142. | Der Rosenkavalier, opera, Op. 59 (TrV 227): Act 1. Marschallin's Monologue 2:30 | |
| Composed by Richard Strauss | ||
| Conducted by Richard Strauss | ||
| Performed by London Augmented Tivoli Theatre Orchestra | ||
| 143. | Der Rosenkavalier, opera, Op. 59 (TrV 227): Presentation Marche in D (De Brandenburgsche Mars 1:43 | |
| Composed by Richard Strauss | ||
| Conducted by Richard Strauss | ||
| Performed by London Augmented Tivoli Theatre Orchestra | ||
| 144. | Der Rosenkavalier, opera, Op. 59 (TrV 227): Act 2. The Presentation of the Silver Rose 4:57 | |
| Composed by Richard Strauss | ||
| Conducted by Richard Strauss | ||
| Performed by London Augmented Tivoli Theatre Orchestra | ||
| 145. | Der Rosenkavalier, opera, Op. 59 (TrV 227): Act 2. Love Duet 2:43 | |
| Composed by Richard Strauss | ||
| Conducted by Richard Strauss | ||
| Performed by London Augmented Tivoli Theatre Orchestra | ||
| 146. | Der Rosenkavalier, opera, Op. 59 (TrV 227): Act 2 / Act 3. Waltz 4:11 | |
| Composed by Richard Strauss | ||
| Conducted by Richard Strauss | ||
| Performed by London Augmented Tivoli Theatre Orchestra | ||
| 147. | Der Rosenkavalier, opera, Op. 59 (TrV 227): Act 3. Trio 4:17 | |
| Composed by Richard Strauss | ||
| Conducted by Richard Strauss | ||
| Performed by London Augmented Tivoli Theatre Orchestra | ||
| 148. | Der Rosenkavalier, opera, Op. 59 (TrV 227): Act 3. Final Duet...Coda 2:34 | |
| Composed by Richard Strauss | ||
| Conducted by Richard Strauss | ||
| Performed by London Augmented Tivoli Theatre Orchestra | ||
| 149. | Spanish Dances (12), in 4 volumes for piano, Op. 37, H. 142, DLR 1:2: No. 7: Valenciana 3:05 | |
| Composed by Enriqué Granados | ||
| Performed by Enriqué Granados | ||
| 150. | Spanish Dances (12), in 4 volumes for piano, Op. 37, H. 142, DLR 1:2: No. 10: Danza triste 3:08 | |
| Composed by Enriqué Granados | ||
| Performed by Enriqué Granados | ||
| 151. | El pelele, for piano (also arr. for 2 pianos by Llongás), H. 106, DLR 2:5 3:06 | |
| Composed by Enriqué Granados | ||
| Performed by Enriqué Granados | ||
| 152. | Popular Spanish Songs (7), for voice & piano, G. 40 12:54 | |
| Composed by Manuel de Falla | ||
| Performed by Manuel de Falla and Maria Barrientos | ||
| 153. | El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44: Canción del fuego fátuo 1:38 | |
| Composed by Manuel de Falla | ||
| Performed by Manuel de Falla and Maria Barrientos | ||
| 154. | Soneto a Córdoba, for voice & harp (or piano), G. 72 3:12 | |
| Composed by Manuel de Falla | ||
| Performed by Manuel de Falla and Maria Barrientos | ||
| 155. | Concerto for Harpsichord, for harpsichord (or piano), flute, oboe, clarinet, violin & cello, G. 71 15:03 | |
| Composed by Manuel de Falla | ||
| Performed by Manuel de Falla, Marcel Moyse, Georges Bonneau, Auguste Cruque, Marcel Darrieux and Emile Godeau | ||
| 156. | Jeunes Filles au Jardin, arrangement for violin & piano (Scenes d'enfant No. 5) 3:12 | |
| Composed by Pierre Huybregts | ||
| Performed by Pierre Huybregts | ||
| 157. | Suburbis, suite for piano or orchestra: El carrer el guitarrisra i el vell cavall (Suburis 3:54 | |
| Composed by Pierre Huybregts | ||
| Performed by Pierre Huybregts | ||
| 158. | Cançons i dansas No. 5, for piano 4:15 | |
| Composed by Pierre Huybregts | ||
| Performed by Pierre Huybregts | ||
| 159. | Paisajes, for piano: La fuente y la capańa (Paiajes, No. 1) 3:28 | |
| Composed by Pierre Huybregts | ||
| Performed by Pierre Huybregts | ||
| 160. | Cançons i dansas No. 6, for piano 3:34 | |
| Composed by Pierre Huybregts | ||
| Performed by Pierre Huybregts | ||
| 161. | Cançons i dansas No. 8, for piano ("El testament d'Amčlia - La filadora") 3:55 | |
| Composed by Pierre Huybregts | ||
| Performed by Pierre Huybregts | ||
| 162. | Cantos populares espańoles (20), for voice & piano: No. 3. Tonada de la nińa perdida 1:42 | |
| Composed by Joaquin Nin | ||
| Performed by Joaquin Nin and Ninon Vallin | ||
| 163. | Cantos populares espańoles (20), for voice & piano: No. 4. Montańesa 2:32 | |
| Composed by Joaquin Nin | ||
| Performed by Joaquin Nin and Ninon Vallin | ||
| 164. | Cantos populares espańoles (20), for voice & piano: No. 6. Malagueńa 2:05 | |
| Composed by Joaquin Nin | ||
| Performed by Joaquin Nin and Ninon Vallin | ||
| 165. | Cantos populares espańoles (20), for voice & piano: No. 7. Granadina 1:54 | |
| Composed by Joaquin Nin | ||
| Performed by Joaquin Nin and Ninon Vallin | ||
| 166. | Cantos populares espańoles (20), for voice & piano: No. 19. Canto Andaluz 1:30 | |
| Composed by Joaquin Nin | ||
| Performed by Joaquin Nin and Ninon Vallin | ||
| 167. | Cantos populares espańoles (20), for voice & piano: No. 20. Polo 1:53 | |
| Composed by Joaquin Nin | ||
| Performed by Joaquin Nin and Ninon Vallin | ||
| 168. | Enigma Variations, for orchestra, Op. 36 27:26 | |
| Composed by Edward Elgar | ||
| Conducted by Edward Elgar | ||
| Performed by Royal Albert Hall Orchestra | ||
| 169. | The Planets, suite for orchestra & female chorus, Op. 32, H. 125 42:23 | |
| Composed by Gustav Holst | ||
| Conducted by Gustav Holst | ||
| Performed by London Symphony Orchestra | ||
| 170. | Die lustige Witwe (The Merry Widow), operetta: Overtüre (1940) 7:54 | |
| Composed by Franz Lehár | ||
| Conducted by Franz Lehár | ||
| Performed by Vienna Philharmonic Orchestra | ||
| 171. | Zigeunerliebe (Gypsy Love), operetta in 3 acts: Act 3. Hör' ich Cymbalklänge 4:29 | |
| Composed by Franz Lehár | ||
| Conducted by Franz Lehár | ||
| Performed by Vienna Symphony Orchestra and Esther Rethy | ||
| 172. | Eva (Das Fabriksmädel), operetta in 3 acts: Vorspiel 5:47 | |
| Composed by Franz Lehár | ||
| Conducted by Franz Lehár | ||
| Performed by Vienna Symphony Orchestra and Maria Reining | ||
| 173. | Eva (Das Fabriksmädel), operetta in 3 acts: Act 1. Im heimlichen Dämmer 4:41 | |
| Composed by Franz Lehár | ||
| Conducted by Franz Lehár | ||
| Performed by Vienna Symphony Orchestra and Maria Reining | ||
| 174. | Paganini, operetta in 3 acts: Act 2. Ich kann es nicht fassen...Liebe, du Himmel 3:12 | |
| Composed by Franz Lehár | ||
| Conducted by Franz Lehár | ||
| Performed by Vienna Philharmonic Orchestra and Esther Rethy | ||
| 175. | Der Zarewitsch, operetta in 3 acts: Act 1. Einer wird kommen 3:22 | |
| Composed by Franz Lehár | ||
| Conducted by Franz Lehár | ||
| Performed by Vienna Symphony Orchestra and Esther Rethy | ||
| 176. | Friederike, operetta in 3 acts: Act 2. Warum hast du mich wachgeküßt? 3:40 | |
| Composed by Franz Lehár | ||
| Conducted by Franz Lehár | ||
| Performed by Vienna Symphony Orchestra and Maria Reining | ||
| 177. | Das Land des Lächelns (The Land of Smiles), operetta in 3 acts (revision of "Die gelbe Jacke"): Act 1. Ich trete ins Zimmer...Immer nur lächeln 3:13 | |
| Composed by Franz Lehár | ||
| Performed by Richard Tauber, Vera Schwarz and Staatskapelle Berlin | ||
| Conducted by Franz Lehár | ||
| 178. | Das Land des Lächelns (The Land of Smiles), operetta in 3 acts (revision of "Die gelbe Jacke"): Act 1. Mein lieber Prinz...Bei einem Tee en deux 3:17 | |
| Composed by Franz Lehár | ||
| Performed by Richard Tauber, Vera Schwarz and Staatskapelle Berlin | ||
| Conducted by Franz Lehár | ||
| 179. | Das Land des Lächelns (The Land of Smiles), operetta in 3 acts (revision of "Die gelbe Jacke"): Act 1. Von Apfelblüten einen Kranz 3:11 | |
| Composed by Franz Lehár | ||
| Performed by Richard Tauber, Vera Schwarz and Staatskapelle Berlin | ||
| Conducted by Franz Lehár | ||
| 180. | Das Land des Lächelns (The Land of Smiles), operetta in 3 acts (revision of "Die gelbe Jacke"): Act 2. Wer hat die Liebe in Herz gesenkt? 3:57 | |
| Composed by Franz Lehár | ||
| Performed by Richard Tauber, Vera Schwarz and Staatskapelle Berlin | ||
| Conducted by Franz Lehár | ||
| 181. | Das Land des Lächelns (The Land of Smiles), operetta in 3 acts (revision of "Die gelbe Jacke"): Act 2. Dein ist mein ganzes Herz! 3:15 | |
| Composed by Franz Lehár | ||
| Performed by Richard Tauber, Vera Schwarz and Staatskapelle Berlin | ||
| Conducted by Franz Lehár | ||
| 182. | Das Land des Lächelns (The Land of Smiles), operetta in 3 acts (revision of "Die gelbe Jacke"): Act 2. Alles vorbei!...Ich möcht' wieder einmal 2:14 | |
| Composed by Franz Lehár | ||
| Performed by Richard Tauber, Vera Schwarz and Staatskapelle Berlin | ||
| Conducted by Franz Lehár | ||
| 183. | Das Land des Lächelns (The Land of Smiles), operetta in 3 acts (revision of "Die gelbe Jacke"): Act 2. Ihr Götter, sagt...Kann es möglich sein? 2:29 | |
| Composed by Franz Lehár | ||
| Performed by Richard Tauber, Vera Schwarz and Staatskapelle Berlin | ||
| Conducted by Franz Lehár | ||
| 184. | Schön ist die Welt, operetta in 3 acts (revision of "Endlich Allein"): Act 3. Ich bin verliebt 3:33 | |
| Composed by Franz Lehár | ||
| Conducted by Franz Lehár | ||
| Performed by Vienna Symphony Orchestra and Esther Rethy | ||
| 185. | Giuditta, opera in 5 acts: Scene 1. Freunde, das Leben ist lebenswert! 3:11 | |
| Composed by Franz Lehár | ||
| Performed by Richard Tauber, Vienna Philharmonic Orchestra and Jarmila Novotna | ||
| Conducted by Franz Lehár | ||
| 186. | Giuditta, opera in 5 acts: Scene 2. Schön wie die blaue Sommernacht 3:17 | |
| Composed by Franz Lehár | ||
| Performed by Richard Tauber, Vienna Philharmonic Orchestra and Jarmila Novotna | ||
| Conducted by Franz Lehár | ||
| 187. | Giuditta, opera in 5 acts: Scene 3. Welch tiefes Rätsel ist die Liebe...Du bi 3:16 | |
| Composed by Franz Lehár | ||
| Performed by Richard Tauber, Vienna Philharmonic Orchestra and Jarmila Novotna | ||
| Conducted by Franz Lehár | ||
| 188. | Giuditta, opera in 5 acts: Scene 4. Ich weiß es selber nicht...Meine Lippen, 3:25 | |
| Composed by Franz Lehár | ||
| Performed by Richard Tauber, Vienna Philharmonic Orchestra and Jarmila Novotna | ||
| Conducted by Franz Lehár | ||
| 189. | Giuditta, opera in 5 acts: Scene 4. So wie um den Sonnenball 3:00 | |
| Composed by Franz Lehár | ||
| Performed by Richard Tauber, Vienna Philharmonic Orchestra and Jarmila Novotna | ||
| Conducted by Franz Lehár | ||
| 190. | Giuditta, opera in 5 acts: Scene 5. 'Schönste der Frau'n' begann das Lied 3:12 | |
| Composed by Franz Lehár | ||
| Performed by Richard Tauber, Vienna Philharmonic Orchestra and Jarmila Novotna | ||
| Conducted by Franz Lehár | ||
| 191. | Russian Round Dance (A Tale), for 2 pianos, Op. 58/1 5:55 | |
| Composed by Nikolay Medtner | ||
| Performed by Nikolay Medtner and Benno Moiseiwitsch | ||
| 192. | Willow, why for ever bending? (Chto tď klonish' nad vodami), song for voice & piano, Op. 24/2 1:15 | |
| Composed by Nikolay Medtner | ||
| Performed by Nikolay Medtner and Oda Slobodskaya | ||
| 193. | Whisp'ring, Nature faintly stirring (Shopot, robkoye dďkhan'ye), song for voice & piano, Op. 24/7 1:40 | |
| Composed by Nikolay Medtner | ||
| Performed by Nikolay Medtner and Oda Slobodskaya | ||
| 194. | Serenade ("Ne mogu ya slďshat' etoy ptichki"), for voice & piano, Op. 28/2 2:00 | |
| Composed by Nikolay Medtner | ||
| Performed by Nikolay Medtner and Oda Slobodskaya | ||
| 195. | Fairy Tales (Skazki) (2) for piano, Op. 20 6:31 | |
| Composed by Nikolay Medtner | ||
| Performed by Nikolay Medtner | ||
| 196. | The Muse (Musa), song for voice & piano, Op. 29/1 3:03 | |
| Composed by Nikolay Medtner | ||
| Performed by Nikolay Medtner and Elisabeth Schwarzkopf | ||
| 197. | A Rose (Roza), song for voice & piano, Op. 29/6 1:55 | |
| Composed by Nikolay Medtner | ||
| Performed by Nikolay Medtner and Elisabeth Schwarzkopf | ||
| 198. | The Waltz ("Mogu l' zabďt'eto sladkoye mgnoven'ye"), song for voice & piano, Op. 32/5 2:46 | |
| Composed by Nikolay Medtner | ||
| Performed by Nikolay Medtner and Elisabeth Schwarzkopf | ||
| 199. | When Roses Fade (Lish' rozď uvyadayut), song for voice & piano, Op.36/3 2:16 | |
| Composed by Nikolay Medtner | ||
| Performed by Nikolay Medtner and Elisabeth Schwarzkopf | ||
| 200. | Fairy Tales (Märchen) (6) for piano, Op. 51: No. 1: Allegro molto vivace in D minor 5:34 | |
| Composed by Nikolay Medtner | ||
| Performed by Nikolay Medtner | ||
| 201. | Winter Evening (Zimniy vecher), song for voice & piano, Op. 13/1 4:01 | |
| Composed by Nikolay Medtner | ||
| Performed by Nikolay Medtner and Tatiana Makushina | ||
| 202. | To a Dreamer (Mechtatelyu), song for voice & piano, Op. 32/6 4:16 | |
| Composed by Nikolay Medtner | ||
| Performed by Nikolay Medtner and Oda Slobodskaya | ||
| 203. | The Wagon of Life (Telega zhizni), song for voice & piano, Op. 45/2 2:32 | |
| Composed by Nikolay Medtner | ||
| Performed by Nikolay Medtner and Oda Slobodskaya | ||
| 204. | The Ravens (Voron), song for voice & piano, Op. 52/2 2:31 | |
| Composed by Nikolay Medtner | ||
| Performed by Nikolay Medtner and Oda Slobodskaya | ||
| 205. | Fairy Tales (Märchen) (6) for piano, Op. 51: No. 2: Allegretto cantabile ed espressivo in A min 3:42 | |
| Composed by Nikolay Medtner | ||
| Performed by Nikolay Medtner | ||
| 206. | Elfenliedchen, for voice & piano, Op. 6/3 1:29 | |
| Composed by Nikolay Medtner | ||
| Performed by Nikolay Medtner and Elisabeth Schwarzkopf | ||
| 207. | Im Vorübergehn, song for voice & piano, Op. 6/4 2:18 | |
| Composed by Nikolay Medtner | ||
| Performed by Nikolay Medtner and Elisabeth Schwarzkopf | ||
| 208. | Selbstbetrug, song for voice & piano, Op. 15/3 1:27 | |
| Composed by Nikolay Medtner | ||
| Performed by Nikolay Medtner and Elisabeth Schwarzkopf | ||
| 209. | Aus "Lila" ("So tanzet"), song for voice & piano, Op. 15/5 1:06 | |
| Composed by Nikolay Medtner | ||
| Performed by Nikolay Medtner and Elisabeth Schwarzkopf | ||
| 210. | Meeresstille, song for voice & piano, Op. 15/7 2:48 | |
| Composed by Nikolay Medtner | ||
| Performed by Nikolay Medtner and Elisabeth Schwarzkopf | ||
| 211. | Glückliche Fahrt, song for voice & piano, Op. 15/8 1:15 | |
| Composed by Nikolay Medtner | ||
| Performed by Nikolay Medtner and Elisabeth Schwarzkopf | ||
| 212. | Einsamkeit, song for voice & piano, Op. 18/3 2:17 | |
| Composed by Nikolay Medtner | ||
| Performed by Nikolay Medtner and Elisabeth Schwarzkopf | ||
| 213. | Fairy Tales (Märchen) (6) for piano, Op. 51: No. 3: Allegretto tranquillo e grazioso - Allegro 3:28 | |
| Composed by Nikolay Medtner | ||
| Performed by Nikolay Medtner | ||
| 214. | Songs (7) for voice & piano, Op.46: No. 1: Praeludium (Prelude) 1:59 | |
| Composed by Nikolay Medtner | ||
| Performed by Nikolay Medtner and Elisabeth Schwarzkopf | ||
| 215. | Songs (7) for voice & piano, Op.46: No. 5: Winternacht (Winter night) 3:32 | |
| Composed by Nikolay Medtner | ||
| Performed by Nikolay Medtner and Elisabeth Schwarzkopf | ||
| 216. | Songs (7) for voice & piano, Op.46: No. 6: Die Quelle (The Stream) 2:12 | |
| Composed by Nikolay Medtner | ||
| Performed by Nikolay Medtner and Elisabeth Schwarzkopf | ||
| 217. | Forgotten Melodies (Vergessene Weisen) (8) for piano Volume 1, Op. 38: No. 3: Danza festiva (Presto) 4:43 | |
| Composed by Nikolay Medtner | ||
| Performed by Nikolay Medtner | ||
| 218. | Le Festin de l'araignée, Fragments symphoniques, for orchestra 16:12 | |
| Composed by Albert Roussel | ||
| Conducted by Albert Roussel | ||
| 219. | Le jardin mouillé, for voice & piano, Op. 3/3 2:14 | |
| Composed by Albert Roussel | ||
| Performed by Albert Roussel and Claire Croiza | ||
| 220. | Počmes (4), for voice & piano, Op. 8 4:02 | |
| Composed by Albert Roussel | ||
| Performed by Albert Roussel and Claire Croiza | ||
| 221. | Počmes chinois (2), for voice & piano, Op. 12: No. 2 2:03 | |
| Composed by Albert Roussel | ||
| Performed by Albert Roussel and Claire Croiza | ||
| 222. | Light, for voice & piano, Op. 19/1 3:20 | |
| Composed by Albert Roussel | ||
| Performed by Albert Roussel and Claire Croiza | ||
| 223. | Sarabande (part of L'Éventail de Jeanne) 2:53 | |
| Composed by Albert Roussel | ||
| Performed by Albert Roussel and Claire Croiza | ||
| 224. | Quintet for piano & strings in B major, Op. 51: 2. Lent 14:39 | |
| Composed by Florent Schmitt | ||
| Performed by Florent Schmitt and Quatuor Calvet | ||
| 225. | Le Tragédie de Salomé, ballet, Op. 50 28:51 | |
| Composed by Florent Schmitt | ||
| Performed by Florent Schmitt and Walther Straram Orchestra | ||
For those listeners who missed them when they were first released in the early days of the digital era, EMI's Composers in Person series is presented here in a single package. Most every composer EMI recorded in the first half of the twentieth century is here, from Bartók through Stravinsky with stops for Hindemith, Shostakovich, Elgar, Villa-Lobos, Strauss, and even Lehár among more than a dozen others. Many of the performances are virtually definitive, among them Elgar leading Yehudi Menuhin in his "Violin Concerto," Dohnányi performing his own "Variations on a Nursery Song," and Peter Pears and Benjamin Britten performing the latter's "Michelangelo" and "Donne Sonnets." All of the performances are fascinating. Hans Pfitzner finds more in his music than any conductor since, and Stravinsky's early recordings, while less cogent than his later recordings, are also sharper-cornered and harder-edged. It should be said that some of the performances are not particularly well played; Holst, for example, is not an especially adept conductor and his "The Planets" almost spins out of control. But all the performances here demonstrate insights into the music that other interpreters have inevitably missed. Lovingly restored, the sound here is in most cases small, gray, hard, and harsh. James Leonard
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