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When it comes to adult love, Trace Adkins isn't nearly as lubricious as was Conway Twitty, the king of the style; rather, Adkins offers a darker view of an overactive libido and its ensuing consequences. Which is not to suggest he doesn't have some fun along the way: The rock-hard album opener, "Hot Mama," finds him coming on to a mature woman whose extra years have only enhanced her sex appeal. But the heart of the album is a clutch of songs that look deep into the dark heart of love gone awry or simply too long denied. "Missing You," a ballad rife with steady thumping tension, recounts a working stiff's restless countdown until the moment he can be reunited with the woman he loves, its ascending chorus evoking his agonizing yearning. Fiddles, pungent electric guitar lines, and pounding drums set the scene for "I'd Hate to Break Down Here," which describes a car sputtering while metaphorically evoking the plaintive cry of a man trying to keep his soul together at the end of a love affair. On the subject of regret, though, nothing tops the clever, mid-tempo treatise "One Nightstand," which sets a mood of abject sorrow with piano, strings, and acoustic guitar, a perfect backdrop for the narrator's tale of a wanton affair and its family-shattering aftermath. Music with some meat on the bone, this is good work by one of country's reliable hit-makers. David McGee, Barnes & Noble