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| 12 | Silent Night 3:07 |
For Joan Osborne, Christmas is a bluesy, soulful affair, uplifting but tinged with melancholy. And it makes for stirring music. Christmas Means Love follows in the tradition of How Sweet It Is, Osborne's album of soul covers: Backed by a rootsy blues band and, on some songs, a female chorus, she sings her heart out. Or maybe she's just singing with her heart out, with direct emotion. Osborne's no show-off: She avoids superfluous pyrotechnics in favor of deep-pocket soul grooves that let these songs and carols simmer and smolder. On the airy "Christmas in New Orleans," Osborne is lighthearted and intimate, backed by acoustic guitars and a jazzy harmonica. On "Cherry Tree Carol" and "Children Go Where I Send Thee," she slips into gospel mode, the former song accented with slide guitar and organ, the latter with a slinky, swampy electric groove that nods to the Staple Singers. One minute, she's playing it straight and somber on the beautifully spare "Angels We Have Heard On High"; the next, she's sassy and sexy on the country blues of "What Do Bad Girls Get?" A mix of the secular ("Santa Claus Baby") and the sacred ("Away in a Manger"), Osborne's Christmas Means Love takes a wonderfully earthy approach to heavenly music. Steve Klinge, Barnes & Noble