Chopin: Piano Concertos Nos. 1 & 2 [Hybrid SACD] Arthur Rubinstein

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Super Audio CD - SACD Hybrid

  • Release Date: 07/26/2005
  • Original Release: 1986
  • Sales Rank: 17,660
  • Label: RCA
  • UPC: 828766790221

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Track List
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Chopin: Piano Concertos Nos. 1 & 2 [Hybrid SACD]

1LISTENConcerto for Piano no 1 i
2LISTENConcerto for Piano no 1 i
3LISTENConcerto for Piano no 1 i
4LISTENConcerto for Piano no 2 i
5LISTENConcerto for Piano no 2 i
6LISTENConcerto for Piano no 2 i

Special Features:

In the second concerto, the SACD multi-channel layer plays back on three channels, reproducing RCA's original three-track master tapes, while the first concerto is in two-channel stereo.

About this Artist

Editorial Reviews

Artur Rubinstein's classic performances of Chopin's piano concertos for RCA have been remastered for this Living Stereo reissue from the original two-track and three-track tapes, though this is a case where audiophiles may feel a little unimpressed by the promises of SACD. The DSD transfer from the analog tapes is rather clean, and Rubinstein's presence and clarity are enhanced in the mix, but beyond these benefits, the sound is still glorified stereo; there is little sense of surround sound immersion in the 1961 two-track recording of the "Piano Concerto No. 1 in E minor, Op. 11," and the 1958 three-track recording of the "Piano Concerto No. 2 in F minor, Op. 21," is only marginally better in depth through the "triangulation" of left, center, and right channels. Even so, if the interpretations matter more than the reproduction, then Rubinstein's performances -- with Stanislaw Skrowaczewski and the New Symphony Orchestra of London of Op. 11, and with Alfred Wallenstein and the Symphony of the Air of Op. 21 -- are perfectly delightful, if old-fashioned renditions, with a feeling of Romantic ardor and sentimentality held in check by the pianist's refined sense of proportions and elegance. Of course, with many excellent recordings available, this disc will be desired most by connoisseurs of historic recordings, but less so by fans of all-digital recordings. Blair Sanderson, All Music Guide



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