Children of Dune

1	Summon the Worms 3:49
2	Dune Messiah 2:40
3	Main Title (House Atreides) 1:36
4	The Revolution 2:01
5	Fear Is the Mind Killer 2:45
6	The Arrival of Lady Jessica 3:09
7	Leto Atreides II 2:44
8	Inama Nushif (Montage) 3:52
9	War Begins 1:08
10	Battle of Naraj 3:15
11	Rya Wolves 1:34
12	I Have Only Now 3:12
13	The Impossible Wager 3:00
14	Face Dancer 1:03
15	The Throne of Alia 1:20
16	Trap the Worm 3:03
17	Salusus Secundus 1:04
18	The Jihad 2:03
19	The Ring of Paul 3:50
20	Exiles 1:28
21	Sins of the Mother 1:24
22	Irulan I S Regret 1:11
23	My Skin Is Not My Own 1:23
24	Reunited 2:28
25	The Golden Path 2:10
26	Child Emperor 1:18
27	Sign of the Bene Gesserit 2:08
28	The Preacher at Arrakeen 2:33
29	The Desert Journey 1:36
30	The Ghola Duncan 1:37
31	Leto and Ghanima 1:16
32	The Fremen Qizarate 1:43
33	Farewell 3:25
34	Children of Dune 1:16
35	Horizon 1:34
36	End Title 1:30

Barnes & Noble

The soundtrack to the popular Sci-Fi Channel miniseries Children of Dune features an orchestral score by Brian Tyler (Darkness Falls, The Hunted). The 2003 miniseries continues the saga of the Atreides dynasty. Joining the ensemble cast for this sequel is Academy Award–winning actress Susan Sarandon in the role of Wensicia, a ruthless princess eager to restore her deposed family to the imperial throne.

All Music Guide

Brian Tyler's score for the Sci-Fi channel's miniseries Children of Dune has an appropriately grandiose, menacing feel befitting an epic science-fiction saga. The mostly orchestral score mixes sweeping, John Williams-esque pieces like the main title and "Summon the Worms" with softer moments such as "Arrival of Lady Jessica" and Middle Eastern-inspired tracks like "Revolution" and "Inama Nushif." It's a well-balanced collection of music, moving from the stately "Dune Messiah" to the brooding "Leto Atreides II" to tense, treacherous pieces like "Jihad" and "Rya Wolves" while still remaining cohesive, and "My Skin Is Not My Own," "Horizon," and "The Golden Path" evoke the desert sandscapes of the miniseries, but for all its competency, the soundtrack rarely sounds distinctive. Fans of the miniseries may enjoy Children of Dune as a musical souvenir, but too much of the score sounds too generic to be appealing outside of that context. Heather Phares