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| 1 |  Les fous divertissants, i |
| 3 | Les fous divertissants, i |
| 4 | Les fous divertissants, i |
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| 43 | Ouverture et Intermèdes n |
| 44 | Ouverture et Intermèdes n |
| 45 | Ouverture et Intermèdes n |
| 46 | Ouverture et Intermèdes n |
| 47 | Ouverture et Intermèdes n |
| 48 | Ouverture et Intermèdes n |
| 49 | Ouverture et Intermèdes n |
| 50 | Ouverture et Intermèdes n |
| 51 | Ouverture et Intermèdes n |
| 52 | Ouverture et Intermèdes n |
| 53 | Ouverture et Intermèdes n |
| 54 | Ouverture et Intermèdes n |
| 55 | Ouverture et Intermèdes n |
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Charpentier: Le Mariage forcé; Les Fous divertissants |
| 1.
| Les fous divertissants, incidental music for 5 voices, strings & continuo, H. 500 39:10
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| Composed by Marc-Antoine Charpentier |
| Performed by John Bernays,
Rachel Elliott,
Nicholas Hurndall Smith,
Christoph Whittmann,
New Chamber Opera,
Elisabeth Albaret,
Elisabeth Albaret,
Robert G. Hoyland,
Robert G. Hoyland and Heather Williams |
| Conducted by Gary Cooper |
| 2.
| Ouverture et Intermèdes nouveaux du Marriage forcé, for 3 voices, strings & continuo, H. 494 23:28
|
| Composed by Marc-Antoine Charpentier |
| Performed by John Bernays,
Rachel Elliott,
Nicholas Hurndall Smith,
Christoph Whittmann and New Chamber Opera |
| Conducted by Gary Cooper |
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